First Thoughts on Writer Pro for iOS

The iPad makes for a fantastic writing device.

A cup of hot coffee, my bluetooth keyboard, and my iPad makes for one of my favorite ways to write. The one-app-at-a-time mentality along with the relatively difficult way to switch between apps (when compared to the Mac’s CMD+Tab) make iOS a pretty good “anti-distraction writing enviroment”.

Moreover, there are some truly exceptional writing apps for the iPad.

Over the years I’ve spent a lot of time with a lot of writing and note-taking apps. The ones that have stood out to me the most?

  • Simplenote (which I don’t really use for long-form writing, but I do use often because I have lots and lots and lots of notes in there).
  • iA Writer: For whatever reason, I never got into iA Writer all that much (neither on the iPad, iPhone, or Mac). Mostly because, as silly as this may sound, it didn’t have a “night theme”.
  • Byword: What I use on the Mac for all long-form writing.
  • Writing Kit: I used this app for quite a while because of its built-in web browser and several other nifty features.
  • Editorial: the iPad markdown writing app that changed the world.

Now, I am, of course, writing this text in Writer Pro on the iPad. It just came out a few hours ago and so naturally I can’t say too much about it yet. But iA Writer has a well-deserved fantastic reputation, and this new version of the app — Writer Pro — promises to take things to the next level. And, clearly, it does.

Is Writer Pro a significant upgrade from iA Writer? Absolutely.

Writer Pro has all the simplicity and charm of its predecessor but now applied to the whole workflow of writing process — from idea to done.

What’s special about Writer Pro is its obsessive focus is on the writing process. There are four “sections” your documents can be slotted in to: Notes, Writing, Editing, Reading. Each section has its own typeface and cursor color. The “Writing” section is, more or less, what the whole iA Writer app used to be.

This is an organization structure I could get behind. I follow this concept loosely already by keeping all of my notes and ideas in Simplenote and all of my “currently writing” articles in Dropbox (where I use Byword on the Mac and Editorial on the iPad). No other app that I know of has this sort of persnickety focus and structure.

So, after poking around and doing some typing, do I find Writer Pro awesome enough to pull me away from my current apps? It’s early to say, but I don’t think so…

I have three quibbles:

  • Unfortunately, Writer Pro on iOS has no auto-markdown completion, nor markdown syntax highlighting.

  • Secondly, there is no document storage option like iA Writer had (in iA Writer on iOS you could chose iCloud or Dropbox for document syncing). Writer Pro syncs with iCloud or nothing. Which means your documents are sandboxed into the app. And there is no export option to get out all the documents at once. (You can email individual documents out of the app.)

    And, from what I can tell, if you use iCloud document syncing for both iA Writer and Writer Pro, the two apps do not have access to one another’s files. But, since Writer Pro on the Mac can access documents you have in Dropbox, if wanted to use Writer Pro on your Mac you could keep it in sync with iOS apps that have access to Dropbox (such as Byword, Editorial, etc.).

  • Third, when writing in Writer Pro with a Bluetooth keyboard (as I am now) the custom keyboard row does not persist at the bottom of the screen. And so to get access to the custom Editing and Syntax highlighting buttons you have to bring up the entire soft keyboard, tap your options, and then dismiss the soft keyboard.

    Update: Anton Sotkov points out that the keyboard shortcuts in the Mac app work on iOS as well.

    Update 2: The Writer Pro team told me via Twitter that many of these issues will be gone in future updates. I understand that you’ve got to draw the “1.0 line” somewhere, and I have a lot of appreciate for opinionated software like iA Writer and Writer Pro.

Is Writer Pro an impressive, beautiful, and useful piece of software? Absolutely. Is it going to find a place in my iPad writing workflow? I don’t think so.

First Thoughts on Writer Pro for iOS

The Olympus E-PL5 Mirrorless Camera: My One-Year Review

It’s been a year since the Olympus E-PL5 showed up at my door, and I want to give a report.

The Olympus E-PL5

The Olympus E-PL5

The E-PL5 is the first nice camera I’ve ever owned. A year later, as I look back at how often I’ve used the camera, the pictures I’ve taken with it, and what my opinion is of the camera itself, the short answer is that I still use it regularly and often, and I’m still very happy with it.

It was the fall of 2012 that I began researching mirrorless cameras to find a setup I could easily take with me anywhere I went, and which cost under $1,000 (for the body and a nice prime lens). I wanted the camera to have an Auto mode so I could just point and shoot if I needed to (I still am a beginning photographer, and don’t always know which manual adjustments to make to get the exposure right). I also wanted an Auto mode so I could hand the camera over to a family member to let them point and shoot with. But it also needed to have good manual modes so I could learn and grow into the manual controls as I learned more about the technical details of photography.

The setup I went with was the then-new Olympus E-PL5 and the world-famous Panasonic 20mm f/1.7 pancake lens.

As I mentioned in my official review, it was the iPhone that actually led me to getting a better camera. I was taking more and more and more pictures, but wasn’t doing much with them other than keeping them on my iPhone. A year later, I still couldn’t be happier about my decision to get a nice camera and I am still very happy with the camera I chose.

I’ve had and used the E-PL5 through Thanksgiving 2012, Christmas, my son, Noah’s, first birthday, a few trips to Colorado, a trip to San Francisco, a camping trip, a trip to New York, the birth of my second son, Giovanni, and countless other weekend and weekday excursions.

Last year we bought several new photo frames to put around the house. And every couple of months I order a few new 8×10 photos printed from Shutterfly and we swap out all the pictures in the house. It’s inexpensive1 and it’s so wonderful to have high-quality photos of our kids and family.2

Something we did last year, and which we’ll do again this Christmas, was get a few of Apple’s iPhoto photo books. Photo books make great Christmas presents to parents and grandparents. Last year’s book was half photos from my iPhone covering January through October, and then half photos from my E-PL5 covering November and early December. This year the photo book will probably be 90-percent (or more) E-PL5 photos.

I still consider the E-PL5 to be one of the best-kept secrets in the mirrorless camera landscape. For the body only, it’s very reasonably priced. And it’s fast, has great battery life, works with all the micro-four thirds lenses, is well built, has 4-axis in-body image stabilization, and has the same sensor found inside the critically acclaimed Olympus E-M5. It’s a beast and it won’t break the bank.

On Twitter I was asked if a better camera in this space has come along. For the same price as the E-PL5, no, I don’t think so.

Of course, since I got my E-PL5 a year ago, the mirrorless camera landscape has improved quite a bit. There’s now the Fuji x100s and X-E2, the Olympus E-P5, and the new Olympus E-M1 (to name a few). These are all really great, but they’re also all more expensive than the E-PL5.

You can get the E-PL5 body and a very nice prime lens for about $800-$900 (depending on the lens you pick). The E-P5 is $900 for the body alone; the Fuji x100s is $1,300 and comes with a great lens (that cannot be swapped out), but it is not a beginner’s camera.

In my opinion, someone looking to get a great camera and a great lens (where by “great lens” I mean “a prime lens” — not the kit zoom lens), can’t go wrong with the E-PL5. It’s compact, it’s easy enough to use that a beginner could pick it up and take decent shots with it (no comment about technique), and it has most of the same internal components (same sensor, similar IBIS) found in Olympus’ top-of-the line cameras, the E-M1 and the E-P5.

Here are answers to a few other questions I got from folks on Twitter:

  • What’s the best first lens? The Panasonic 20mm f/1.7. It’s one of the less expensive among the good prime lens selection; it’s a pancake lens, so it takes up very little space; it takes wonderful photographs; and the 20mm focal length (which is the 40mm equivalent on a full-frame camera) is in the sweet spot range for all manner of photos. So, if you don’t know which lens to get, get the Panasonic 20/1.7.

    Other great lenses include the Panasonic 25mm f/1.4, the Olympus 45mm f/1.8, and the Olympus 17mm f/1.8. I’ve rented the 25/1.4 and the 45/1.8 and they are both fantastic.

  • What is your most-used lens? Just the one I have: the panasonic 20/1.7. It’s a fantastic lens for the price and size. My favorite lens of all the ones I have used is the Pany 25/1.4, but I like the size of the 20/1.7 pancake too much. And, since the 20mm and the 25mm are so close in focal length, it seems silly to keep them both.

  • Have you been tempted by any other cameras? Yes; the E-P5. It has all that’s awesome about the E-PL5, but in a nicer body with more manual controls (without giving up automatic modes), and with an even better sensor and IBIS. However, the E-P5 is several hundred dollars more expensive, and I honestly don’t know if that increase in price is worth it for me at my current skill and usage levels.

  • How do you travel with it? For outings, I use my DSPTCH strap. As for a case, I don’t have one yet because I haven’t yet found one I like (well, the Hard Graft camera bag looks gorgeous, but I’d rather buy a lens).

  • What do you wish was different? What annoys you about the camera? The same thing that I’m tempted by with the E-P5: I wish the E-PL5 had better manual dials. You can set it in Aperture or Shutter priority modes, but you have to use the menu dial to quickly change the aperture / exposure / shutter settings. This can be a bit awkward or inaccurate. But… It doesn’t bother me so much to dislike the camera, and like I mentioned above, I’m not sure it’s worth the cost for me to buy a more expensive camera right now. I’ll probably keep the E-PL5 for a few more years and invest my money in lenses instead of upgrading my camera body.

  • Has your frequency of use decreased since you first got the camera? Yes and no. I’m not forcing myself to take it out like I did when I first got it. But I still use it often around the house and at family events, trips, and other things. Since the first day of owning it I have always felt silly taking it out and using it. But, looking back, I wish I would get out with the camera more often.

  • What about ergonomics? The camera feels great. It’s very light, it has incredible build quality, and it’s very easy to hold with one hand. The flip-out view screen makes it easy to take photos at all sorts of angles.

  • Auto-focus and other settings? The E-PL5 with my Panasonic 20mm lens does hunt a fair bit in super low light, but in my understanding it’s no better or worse than most other cameras like this. When I was renting the Olympus 45/1.8 lens, the auto-focus was a bit quicker, but not significantly so.

    I mostly shoot in Aperture Priority mode, but when I’m having trouble I’ll switch to Auto and the camera does a great job at deciding what sorts of settings I want.

  • To what degree does the camera’s physical size impact when/where you use it. How often have you wished you had it but didn’t? The size of the camera is fantastic. It’s small enough to fit in my winter coat pocket or my small laptop bag without bothering me. It’s also light enough that when I’m wearing it with the shoulder strap I can have it on for hours and never consider its weight.

    There are often times I wish I had taken it somewhere but didn’t. This, however, has everything to do with me not being in the discipline of taking the camera and using it. It has almost nothing to do with the size of the camera.

  • What is the most important thing you’ve learned about photography since getting this camera? That I regret 100% of the shots I don’t take. Too cliche? Okay, fine. But it’s true. Like I said above regarding frequency of use, I want to get out with the camera more often.

  • What is your usage of the E-PL5 compared to your iPhone camera? I certainly use my iPhone more often than the E-PL5 just because of the fact that my iPhone is with me all the time. But I don’t often take “great photos” with my iPhone. Usually they are cool snapshots that I will then share on Instagram, email to friends and family, or put into Day One. And that’s exactly why I got the E-PL5. I didn’t want to all-out replace my iPhone, but I wanted something I could use to take much, much better photos when it mattered most.

  • What are your favorite pictures taken with the E-PL5? This one is probably my most favorite:

Anna and Noah reading

These are also favorites:

The B&B Cafe

Nohawk

You can see more of the photos I’ve taken on my Flickr page.

* * *

So. If you’re in the market for an awesome and pocketable camera, I’ve got good news and bad news…

The good news is, there are a lot of really great options. The bad news is, there are a lot of really great options. Good luck!


  1. 8×10 prints are normally 3.99 each, but Shutterfly seems to have sales all the time to get things for 40-percent off or more. I’ve also heard great things about WHCC’s pricing and quality, but haven’t yet used them myself.
  2. I’ve also been using the camera to take “fancy” hero images for use on this site and on The Sweet Setup.
The Olympus E-PL5 Mirrorless Camera: My One-Year Review

Editorially

Leading up to the launch of The Sweet Setup, we were wrangling about 20 active documents. I was working with half-a-dozen different authors on their app reviews along with writing several reviews and blog posts of my own, and Jeff Abbott was editing everything.

To manage all of these documents we use Editorially.

It’s awesome. Here’s why.

  • Markdown support: All the writers we work with prefer to write in Markdown. I prefer markdown. And, well, Editorially supports markdown syntax highlighting in the browser. It also displays images inline. When you’re done writing you can export your writing as an html, markdown, plain text, Latex, rich text, MS Word, or ePub file. Wow.

  • Collaboration: invite people to join the document as read-only privileges or with editing privileges. You can highlight words and passages to make notes about, and you can comment on the document in general.

  • Track changes and version control: Editorially auto-saves as your working on a document, so if your browser crashes you don’t lose your work. It also keeps all the versions of a document, and allows you to compare the changes of one version with another.

  • Document status: Documents start as “Draft”, and as you progressively work on them you can change their status to “Reviewing”, “Revising”, “Copyediting”, and “Final”.

    These states worked perfectly with our workflow, and followed perfectly the progression of our articles from the initial submission by a contributor, my reviewing of it, the author’s revising of it, and then Jeff’s editing of it. When visiting my Editorially dashboard I could see instantly what the state of each document was, and knew which ones I needed to attend to myself.

  • Dropbox support: you can link Editorially to a folder in your Dropbox and then send an article to that folder. This is Editorially’s answer to “archiving” since there is nowhere to move documents that are in their final state and which have been published and that you no longer need to keep on your dashboard. This is how I archive all of our published articles, and it works very well.

  • Pasting into a document: Copy rich or formatted text from one place and when you paste it into Editorially it will format in Markdown. Even images. Amazing.

  • iPad and iPhone friendly: Editorially is a web app only with no native apps. However, it has a responsive design that works great in Safari on the iPad and iPhone. It can be a bit clunky if you’re making lots and lots of notes and annotations, and I wouldn’t want to spending hours a day, every day, working in Editorially on my iPad. But I edited several documents from my iPhone and iPad with no trouble.

Our Editorially Workflow

Being editor-in-chief, I was reaching out to potential writers asking them if they’d like to do an article for the site. Once they submitted their draft to me I would paste it into Editorially and read through it.

Because Editorially lets me make highlight words and passages, it was easy to make comments about what I felt were good, what needed improvement, and what was missing altogether. I would also make general comments on the document itself such as, “All done. Your turn.”

If I hadn’t already, I would then invite the author to join the document so they could see all my comments and edits, and then they make any changes and leave comments of their own.

Some articles were done after just one pass. Others took several rounds of back and forth work to get it to a place where we were completely happy with it.

Once the article reached the point where the author and I were happy with it, then I would invite Jeff to join. (Jeff is the editor for The sweet Setup.) He would then read through the article for the first time, making sure it had a good flow, made sense, covered all the bases, and was free from typos and other grammatical errors.

When Jeff was done, he’d set the article’s status to “Final”. I would then export the markdown out of Editorially and paste it into our CMS. Editorially also supports publishing to WordPress, but I don’t use this feature — we have quite a few custom fields and other metadata tables set up in our WordPress install that hinder us from just publishing straight to the site from Editorially.

Technically, Editorially is still in beta. There are a few bugs here and there (for example, the dashboard doesn’t remember my preference for displaying documents in a grid format or a list) and there are some other features I’d love to see added (such as the ability to transfer ownership of a document from one user to another, or an “inbox” that listed all the recent activity on all my documents). But these are small issues, and Editorially has proven to be an invaluable tool for us.

We are using it to get a lot of work done without losing our minds. I can’t imagine what our workflow would look like without Editorially.

Editorially

iPad Mini and iPad Air First Impressions: Both Favorites

These two new iPads are marvels.

It’s already amazing that there exists gadgets made of aluminum and glass which weigh less than a pound and have screens that rival the resolution of a printed magazine. Now add to that the fact these devices have touch screens so true-to-life and so responsive that it feels as if you’re literally manipulating the pixels with your fingers.

And it doesn’t end there.

Pacing around the coffee table in my office, thinking about the new iPads while contemplating the big picture of things like personal computers that fit in our pockets and purses, it’s easy to get swept away in just what an incredible day and age we live in.

These devices are also connected to the world wide web — allowing me to communicate with friends, family, members, and strangers alike. A photo I took of my son using my phone has magically appeared on my iPad, and I can email it to my parents with ease; I can write words and publish them to a place where anyone in the world can come to read; I can download music and books; and so, so much more.

But then, returning to Earth, what are the brass tacks here? I’ve been sending emails for over half my life; I’ve never owned a cell phone that couldn’t send a text message; I’ve been making my living publishing to the web for nearly three years; and this isn’t my first iPad.

But yet, in a way, this is my first iPad.

The iPad Air is, hands down, the most amazing iPad I’ve ever owned. And I’ve owned several.

I bought an original iPad on launch day; I bought the iPad 2 on its launch day; and I bought the iPad 3 on its launch day. Each of those successive devices got better and better and better.

Keeping with tradition, I bought the iPad Air on launch day, too. Thirteen days later I can say, unequivocally, that it is the greatest iPad ever. The change in size and weight and speed when compared to the iPad 3 is something that must be experienced and not read about. Trying to describe the difference in usability between the iPad Air and its predecessors is an exercise which puts my wordsmithing skills to the test.

My iPads have always received quite a bit of use from me. Even from the very first generation iPad, I have toted these things with me to meetings, coffee shops, vacations to the Rocky Mountains, “business” trips to WWDC, my living room, and everywhere in between.

Moreover, I am quite comfortable using the iPad as my “laptop”. My work is such that I’m fortunate enough to be able to do pretty much everything I need from the iPad. Nearly all of my daily tasks and routines related to work or play are things I can do on iOS.

Every design and engineering progression with the iPad has been a nice, incremental, and welcomed step. Thinner and lighter, then Retina, then faster. But the iPad Air is a leap and not a step. It feels impossibly thin and impossibly light while also being extremely fast and responsive. It is quintessential.

And then, yesterday, the iPad mini with Retina display appeared. And, well, it is also the best iPad I’ve ever owned.

Here is a device that will fit inside my wife’s purse or the pocket of my peacoat. And it’s ideal for all the most common personal computing tasks of doing email, surfing the Internet, and checking Facebook and Twitter. And we all know the iPad can do so much more — there’s no reason why the iPad mini couldn’t be someone’s only computer.

And that fascinates me. Who knew that one day our uncompromising personal computers would cost a few hundred dollars and would comfortably fit inside a woman’s purse?

I’ve been using the Retina mini for just a day now, but I am confident that I could use it for all the tasks which I’ve been using my full-sized iPad for all these years. The question is not about the capabilities of the mini; the question is about my own preferences. And, at the moment, I don’t have an answer.

It’s different than deciding between an 11- or 13-inch MacBook Air, or between a 13- or 15-inch MacBook Pro. For laptops you mostly use them while they are placed on top of a desk or table (or perhaps your lap) while you sit in front of them. You mostly pick which laptop you need based on your computing tasks and needs, size plays a role in terms of portability, but once the laptop is out and on the desk it mostly doesn’t matter what size it is (unless you’re sitting in coach).

But with the iPad Air and iPad mini, computing usage is not the only factor. There’s also a tangible, kinesthetic-centric factor at play here. Because the iPad is something you hold and touch while using.

Which is better: an iPad Air that has a bigger screen and which is thin and light enough? Or an iPad mini that is very thin and light and which has a screen that is big enough? I just don’t think you can pit these two devices against one another. They are not competing — they are two of a kind.

They are both great. Both favorites.

Over the next several weeks and months I plan to use both iPads for the same tasks. It’ll be interesting to see how the dust settles and if I’ll naturally be drawn more to the smaller device or the larger one, and why.

iPad Mini and iPad Air First Impressions: Both Favorites

Fantastical 2 for iPhone: The Best Gets Better

The new Fantastical is the best calendar app on the iPhone. It was great before, but now, it’s, well, fantastic.

Fantastical 2 for iPhone

Let’s talk for a moment about friction, learning interfaces, and natural language parsing

I’ve always been a fan of Fantastical’s natural language parsing and it’s simple-yet-powerful design. When I say Fantastical is the best calendar app for the iPhone, I define “the best” as being the easiest to use (adding/editing events) and the easiest to read (checking schedule) for most people.

About a month ago I took a little poll on Twitter. It’s nothing scientifically conclusive, but it does provide some interesting data points to say the least. In the poll I asked people how many events they enter into their iPhone on a weekly basis.

Of 179 total responses:

  • 73% enter 1 or fewer events per day (130 people)
  • 21% enter an average of 2 events per day (38 people)
  • 6% enter an average of 3 events per day (10)
  • Less than 1% enter 4 or more events per day (1)

So, 94-percent of the total respondents use their iPhone’s calendar app 2 or fewer times per day to enter in a new event with most of those people actually using it just once or less per day.

Think about the situations you’re typically in when adding an event to your calendar using your iPhone. For me, I’m usually in the middle of a conversation with someone and we’ve just agreed upon our next meeting or a meal together. Or I’m in the lobby at my kids’ doctor’s office making their next checkup appointment, or I’m at my dentist making my next cleaning appointment. Etc.

In short, the times I’m using my iPhone to enter an event are times when I’m usually in the middle of something else. I want to add the event and get on with life.

The more we become familiar with a calendar app’s new-event interface, then the faster we can navigate it. However, as my Twitter poll hints, people entering in just one event or less per day is not much usage to learn an app’s interface.

I’ve been using my iPhone to enter calendar events since 2007, and the default new event entry sheet provided by iOS has always felt like an obstacle course. If most of us are entering one event or less per day on our iPhones, then are we ever really learning the event input interface of our calendar app?

That is why natural language parsing is so divine. Because what’s an “interface” we are all extremely familiar with? Natural language.

We say sentences like “I’m having lunch with Steve tomorrow” all the time. It’s called “natural language” for a reason — we say these sentences in our everyday conversations, emails, text messages, etc. It’s natural to us.

And so a calendar app that can understand our own natural language is one that we can use as infrequently as we want without suffering the consequences of not learning its input UI.

Fantastical has, by far and away, the best natural language input mechanics of any other calendar app on the iPhone. It is fast and smart at parsing just about any event- or reminder-based sentence, and it has easy-to-understand animations which let us know how the app is translating our words.

As Dr. Drang pointed out, Fantastical’s animations do more than dazzle:

The animations are providing instant feedback on how Fantastical is parsing your words and, more important, they’re teaching you Fantastical’s syntax.

What’s New in Fantastical 2?

In a sentence, it’s faster, it’s built and designed for iOS 7, it has Reminders integration, light and dark modes, and there’s a swell new week view if you flip your iPhone on its side.

Let’s dive in.

Landscape Mode’s Week View

Flip your phone into landscape mode and Fantastical shows you your week view with the time plotted on the calendar (not unlike Calendar shows you on the Mac).

Fantastical week view in Landscape mode

I’m a fan of this view because it’s a great way to visualize what blocks of time I’m booked for during the day and what blocks of time are open.

Moreover, from this weekly view you can drag and move events very easily. You can adjust their start and end times. And if you tap and hold on an empty spot, you can create a new event (which also means, by the way, that Fantastical now supports the landscape keyboard for creating a new event or reminder).

Speed

Pulling down on the day ticker and/or the month view is how you transition between one or the other. This animated transition is smoother and faster in the new version of Fantastical.

iOS 7

Updated with a 64bit architecture, background updating, and dynamic text. New events and reminders you add via your Mac or iPad or any other app beyond Fantastical still will sync to Fantastical in the background.

Reminders Integration

You can add a reminder by typing “Remind me to…”, or you can manually tap the toggle on the new event creation window that will switch Fantastical between new calendar event and new reminder.

Custom keyboard row

If you’ve got an iPhone 5 or 5s, above the QWERTY row is a 5th row with numbers, a forward slash, and a colon to help enter in calendar data faster. In my time testing the app over the past several weeks this row has proven to be immensely helpful.

Auto-import your settings

Your Fantastical 1 settings auto-import into Fantastical 2.

This seems like a non-trivial thing, right? We’re used to updating our apps and having our settings persist through the update.

But with developers releasing new, iOS 7-only, paid updates to their apps, a paid update like this is actually like installing a new app. Of course your calendars sync right up, but your app-specific display settings — such as having weekends highlighted, if days with no events show up in the day ticker, etc.. — are imported from Fantastical 1 into Fantastical 2. It’s the sort of thing you’d only notice if it didn’t happen.

So?

If you’re not satisfied with your current calendar app, Fantastical is just $3 on the App Store.

Fantastical 2 for iPhone: The Best Gets Better

The New Tweetbot for iPhone and iOS 7

Long have I been a fan of Mark Jardine’s heavy-handed design aesthetic. The dark grey industrial materials, the gradients, noise textures, and the playful graphics and icons. These design elements have been inextricably tied to the signature and brand of the Tapbots app lineup.

Today, that all changes.

The new Tweetbot is a ground-up re-design and re-thinking of what is one of the most popular Twitter clients out there.

Tweetbot 3 for iOS 7 - Account Screen

This is the new Tweetbot, for iOS 7. As you can see the design is very new. It’s a starting over, not only for the app itself, but for the Tapbots’ brand.

For this new app, Mark and Paul had to out-Tweetbot Tweetbot. And I think they did just that.

Tweetbot 3 for iOS 7 - the main timeline view

This new version has all the underpinnings of what has made the app great since its 1.0 release in April 2011. It has fast and smooth scrolling, it has clever animations all throughout, swipe or tap-and-hold to act on a tweet, etc.

But, be it familiar, it is still an all new app.

Save for the icons, the new Tweetbot is a radical departure from the look Tapbots has become world famous for. The main timeline view now sports circle avatars and a white, gradient-free background. Tapping on images blurs brings them up full-screen while the background goes blurry. This app has all the design elements of a native iOS 7 app, but with a unique twist all its own.

It’s not all just a new coat of paint. The new Tweetbot supports background updating in iOS 7, which means that when you launch it your tweets are already there waiting for you. (This feature alone is worth the price to upgrade.)

Also, Tweetbot uses dynamic text from the size you set in the iOS system settings. Personally, I find this to be unfortunate. I prefer my system text (such as for emails and Safari’s “Reader mode”) to be just one notch above the tiniest. However, I find that size of text to be too big in Tweetbot. Even at the very smallest setting for dynamic system text size, it is still too big for me in the Tweetbot timeline.

When it comes to whimsy and personality, though the heavy-handed design aesthetic is now mostly gone, there are fun animations and bounce effects to nearly every element of the app. One of my favorites is tapping the profile image up to to bring up the account switcher — the individual account pictures and names slide in from the right and bounce off the left margin.

When you launch the new Tweetbot for the first few times, there is certainly a bit of shell shock at just how different it is. But, as you use it, you realize that it’s still a Tapbots app at heart. It’s just as delightful and just as powerful as its siblings, but it marks the next generation of Tapbots apps. And I’m looking forward to what’s next.

The new Tweetbot is a paid update for all users, and is on sale right now for $2.99 in the App Store.

The New Tweetbot for iPhone and iOS 7

Weather Line

Weather Line is a cool new weather app from Ryan Jones. Ryan sent me a copy of the app earlier this month and I’ve been using it for a bit.

When I launched Weather Line for the first time my initial impression was that it’s not a general purpose weather app. I assumed it was more niche, with a focus on forecast data rather than current conditions.

But that’s not the case at all.

As you can see from the screenshot, the primary element of the app is its line graph (the “weather line”) which shows the temperature forecast.

Weather Line

When you launch Weather Line, or navigate between the Hourly, Daily, and Monthly tabs, the left-most temperature animates itself with a sort of balloon effect. This instantly grabs the attention of your focus and draws your eye to the current temperature.

So, Weather Line is, in fact, a nice general purpose weather app. And, as I’ve been using it, I have come to enjoy the quick view I get of the current conditions right now and how they will change in the next 8 hours.

However, I do have two quibbles with the app:

  • All the navigation is up top. To navigate between locations you swipe on the location name; to navigate between Hourly, Daily, and Monthly forecasts you tap on those respective tabs. But on an iPhone 5/5s these tap targets are just out of reach for my thumb and it makes the app a little bit difficult to fully navigate one handed.

  • No radar view. Though Weather Line does use the Dark Sky API to give the 60-minute precipitation forecast, it does not have an actual radar view. Ryan, the man behind the app, said the reason there’s no radar view is because he can’t find one that is beautiful enough for him.

    In an email, he said to me, “Our app takes ugly boring data and uses beauty to make it easily understood, we want the radar that does the same thing.”

    I appreciate Ryan’s commitment to excellence, but for me, a weather app without radar is an incomplete weather app. My two favorite weather apps — Perfect Weather and Check the Weather — both have the standard radar views and I’ve never thought them to be ugly.

So, is Weather Line the best new general purpose weather app you can buy? I don’t think so (because of its lack of radar). But it is a fantastic app nonetheless.

Weather Line is simple, delightful, and very responsive. It feels right at home on iOS 7. And the icon is fantastic — it’s one of the best weather app icons on my iPhone. Just $3 bucks in the App Store.

Weather Line