How would you define a successful creative career?
There are two important elements: creative freedom and financial stability.
So let’s define success as having the ability to do creative work we’re proud of and to keep doing that work.
Now, there is no recipe for this stuff. It’s different for each person and changes with all sorts of factors like skills, passion, and even geographic location. It important to define creative success in such a way that it doesn’t require a particular location, vocation, or paycheck.
However, there is more to it than creative freedom and financial stability. Something else is also critical to our long-term journey of doing our best creative work.
We need a healthy inner work life.
Our emotional and motivated state is just as important (if not more important) as our finances, tools, work environment, and overall creative freedom.
Teresa Amabile is a professor at Harvard Business School. In 2012 she gave an excellent talk at the 99U conference. In that talk she shares about how our inner work life is what lays the foundation for being our most productive and our most creative.
When our emotional and motivated state — our inner work life — is strong and positive then we are most likely to be at our best in terms of creativity and productivity.
What drives our inner work life? Well, a lot of things. But one of the most important is making progress on meaningful work.
When we see that we are making progress — even small victories — then it strengthens our emotional and motivated state. We are happier and more motivated at work. And therfore, we are more likely to be productive and creative.
Consider the inverse. When we feel like cogs in a machine then we see our time as being spent just doing meaningless busy work and not contributing to anything worthwhile. And so we slowly lose our desire to be productive and efficient. We don’t care about coming up with creative solutions or fresh ideas. We just do what’s required of us in order to get our paycheck so we can go home to our television.
This is one reason why having an annual review for yourself (and your team / company) can be so beneficial. It reminds everyone of the goals accomplished and the projects completed. It shows that the oftentimes mundane and difficult work we do every day is actually adding up to something of value.
Coming back to Teresa Amabile, she calls this the Progress Principle. In short, making progress on meaningful work is critical to being happy, motivated, productive, and creative in our work.
And so, if progress is so important, why do we seem to celebrate only the big victories and only once or twice per year?
One of the greatest ways to recognince our progress is to celebrate all victories — big and small. And one of the best ways to celebrate and chronicle the small victories is with our own daily journal.
We often forget about our small wins after a few days or weeks. Or they quickly get buried under our never ending to-do lists. Or, if we don’t recognize and celebrate them, then they stop being “small wins” and start just being “what we should be doing anyway”.
By cataloging and celebrating our small wins each day then we can be reminded that we are making meaningful progress. And, in truth, it’s the small wins which all add up to actually complete the big projects and big goals. As Benjamin Franklin said, it’s little strokes that fell great oaks. And so, to celebrate a big victory is actually to celebrate the summation of a thousand small victories.
At the root of most bad writing, Stephen King says you’ll find fear. It’s fear — or timidity — that holds a writer back from doing her best creative work.
Ray Bradbury admitted this outright: “I did what most writers do at their beginnings: emulated my elders, imitated my peers, thus turning away from any possibility of discovering truths beneath my skin and behind my eyes.”
You’ll also find fear at the root of most non-writing. Shame, doubt, worry, second-guessing, and all their cousins stand guard against us when we sit down to deal with the blank page.
As someone who writes for a living, I can tell you this: anything that keeps me from writing is public enemy number one. And the one thing that most keeps me from writing is fear.
Fear works against me more than my lack of time, focus, ideas, and talent combined. Time, focus, ideas, talent — these are all quantifiable. But fear? Fear is completely irrational. You can’t argue with it, you can’t tell it to go away, you can’t schedule around it, and you can’t bribe it or distract it.
But you know what else about fear? It’s universal.
We all feel afraid and timid when facing that blank page. Look around at some of your favorite writers and creators. They are more than talented and hard working. They are brave. They’ve found a way to keep writing in the midst of their fear.
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To pull the curtain back just a little, oftentimes the thing which most keeps me from writing is a fear of putting my own narcissism out on display for all to see. So often my first draft is little more than my own self-centered view of the world — a world where I sit at the center. This is not the world I am trying to build up, but when writing, how can any of us write about anything else but what we know and what we have heard? We write about what we know and what we feel. We write from our own soul and our own heart and we share what we’ve seen through our own eyes and what we’ve heard through our own ears. We write from the inside out.
Here is how I deal with my own fear, doubt, worry. When writing that first draft, it’s allowed to be as horrible and ugly and awkward and egocentric as it needs to be.
This first draft is the personal draft. It’s the crappy draft. Nothing is off limits. I can write whatever I want and say it however I want. Everything is fair game so long as it keeps the cursor moving.
When the first draft is done, then the work of editing begins. It’s time to edit not just for flow and grammar and clarity, but edit for the reader. It is time to take this story that was once built with the author at the center and to instead put the reader at the center.
When you are writing, write however you must. Don’t let fear or timidity keep you from being honest and exciting. And when you are editing, improve your words so they serve the reader. Write for yourself, but edit for your reader.
There are many books, speeches, articles, sermons, quotes, and conversations which have shaped us over the years into the people we are.
We retain a limited amount information when learning something new, and our recollection and interpretation of that information gets foggier over time.
The best way to keep important information fresh and accurate is to review it regularly.
Idea: The Core Curriculum
And so, why not put together a small notebook that contains highlights and summaries from the books, speeches, articles, sermons, teachings, and other things which have most shaped us? Our own Core Curriculum.
Have it cover the most important areas of life, such as:
- Personal growth
- Spiritual foundations
- Relationships (spouse, kids, friends, peers)
- Vocational wisdom
- Living with focus and diligence
- Financial health and wisdom
- Creative inspiration
Then, once a year or so, go through the notebook. Read your summaries and highlights to stay familiar with the things that have shaped you.
Just the act of making your Core Curriculum notebook will in and of itself be an excellent way to re-learn the material. And reviewing it once a year will help keep your mind and emotions and actions on track with the values and vision you already carry.
A.K.A. The Commonplace Book
This idea isn’t entirely new. Commonplace books have been around for hundreds of years:
Commonplace books (or commonplaces) were a way to compile knowledge, usually by writing information into books. Such books were essentially scrapbooks filled with items of every kind: medical recipes, quotes, letters, poems, tables of weights and measures, proverbs, prayers, legal formulas. Commonplaces were used by readers, writers, students, and scholars as an aid for remembering useful concepts or facts they had learned. Each commonplace book was unique to its creator’s particular interests.
Today, we all have Internet Communication Devices in our pockets. The need for building our own index of important facts isn’t quite so necessary because we can search for anything using just our phones.
But what is important is remembering foundational principles for how to live life and to live it well. Our values, ideals, thoughts, emotions, and habits are bombarded every day in so many different ways. Movies, commercials, TV shows, social media, and so much more tell us how we ought to live and what we should believe. Which is why our Core Curriculum notebook should be comprised of things that speak truth to who we are, who we want to be, and what we want to do.
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Over the past few weeks, I’ve been building the outline of my own Core Curriculum. And I’ll be working on it for the rest of the year, no doubt. My goal is that when completed, it will take about one month for me to read through it. It’ll be something to do each January as a 31-day study guide of sorts that reminds me and inspires in the topics of spirituality, living a disciplined and productive life, marriage, fathering, creativity, work, and relationships.
As longtime readers of this site will remember, the Sweet Mac Setup interview series used to be hosted here. That was before The Sweet Setup launched a little over a year ago and took over the interviews.
The very first Sweet Mac Setup interview was with Mark Jardine on May 31, 2009.
In the fall of 2010, I “rebooted” the interview series and added in a new question:
“How does this setup help you do your best creative work?”
I wanted the interview questions to draw out more than just information about the hardware and software people were using. As a reader, I wanted to know how people’s tools were empowering them to be more creative than if they didn’t have those tools.
There were 28 Sweet Setup Interviews that asked the question about doing creative work. This morning I read through each of those interviews again. Here I want to share some of the answers from the interviews:
I like focus — simple software that doesn’t have a lot of bells and whistles helps me find that focus. I like things that do very little, very well. I try to cut out distractions — Tweetdeck or Tweetie, iChat or Skype, these things distract me.
Notational Velocity is the perfect writing app. All it does is write text, and it stores everything in text files, and you can find them instantly. You don’t need to file, and you don’t need to look for things.
For me the tech I use should actually make my life easier to manage, not get in the way of the process. I am not a super geek by any stretch of the imagination, I just learn the tools I need to know to accomplish what I want to.
I love to look at the big picture whether I work at home or on-the-go, which is why I keep lots of resources available at a quick glance and why I use MacJournal. It’s the only Mac word processor I can find which lets me draft in rich text, but copy to the clipboard as the perfectly formatted, plain HTML that most CMSes want. Lots of my peers pen in HTML or Markdown, but I don’t like to look at code or URLs when I write. To me, code is code, and prose is prose. I want to draft, re-read, and continue drafting a piece as the reader will see it, watching for things like the visual flow of text and too many concurrent links that can weigh a paragraph down.
The combination of lots of display space and powerful hardware that can (most of the time) keep up with me make it easy to dig into the current endeavor. When I can comfortably view 4-6 source code files on the iMac and have my browser open on the second display, it requires me to do a lot less remembering. I don’t have to switch away from the current buffer to look up the correct parameter order for such-and-such function, I can just open it right next to where I’m working and see both side-by-side.
I liken my working style to the way my children play with toys: they don’t put away each toy as they finish playing with it (as much as I wish they would), so we have a great big cleanup party each evening where everything is organized and stowed in its right place. When I’m ready to wrap up the current day’s work, I’ll spend at least 3-4 minutes closing a dozen Safari windows, Firefox Downloads windows, Evernote notes and such. I like that I have the canvas and the horsepower to work that way without it getting bogged down or looking cluttered.
I trust it. When you’ve got a trusted system in place, your mind stops bugging you about “we ought to be doing [X]” and lets you focus its resources on the task at hand. I know that OmniFocus and the Printable CEO forms will capture anything important so that I won’t miss it. With that off my mind, I can get down to writing.
It’s a pretty time-consuming this writing novels, running two blogs while having a full-time job for a design agency business. It means I have to do things whenever and wherever I can. My setup is designed – well, it’s evolved, more accurately – to allow me to do that. It’s all about the sync.
With DropBox, Simplenote and an iPhone 4, I can access everything I need at all times. I can edit files on my work PC at lunch and know they’ll be there when I get home. I can approve comments, make notes or catch up on some reading on my phone while I’m waiting for the bus. And again, when I get home, my Mac is up-to-date.
Novel number one was written on no less than six different computers – a combination of desktop PCs, laptops and my iMac — in even more locations, using goodness knows how many USB drives for transferring and backing up.
Novel two will be written on just my future-iPad and my iMac. That says it all, really.
I’ve tried my best to surround myself with tools that help me get the job done faster. I take notes in Notational Velocity, which is connected with SimpleNote, so that I never have to save, rename, or move the files again. I keep inspiration logged in Yojimbo and Littlesnapper, both of which sync across my computers. And I try my best to master hot keys to save time and effort.
Creativity is all about reducing the distance from inspiration to retention. I might not be able to react to a moment of inspiration right away, but if I can capture it properly (via screenshot, dragging into Yojimbo, or typing the idea out) I can come back to it when I’m ready.
I believe that a setup should facilitate an efficient workflow. I’ve noticed most of my Mac-using friends utilize a one-machine setup and it meets their needs — especially when the choice is laptop while on-the-go with a Cinema Display parked at home. However, I’ve found that investing in a multi-machine setup meets the needs of my family as well as my differing job descriptions and their requirements. With cloud-based apps and syncing technology, multi-machine setups are now easy to keep cohesive and consistent day-to-day.
My main job is to find and sift through endless streams and piles of information, so being able to have 2 or 3 windows open at the same time, large enough to see a bunch of data, is why I love the big iMac so much. At Business Insider, I had a second 24-inch screen open to TweetDeck all day, but I don’t really like multi-screen setups. I’m really big on symmetry. During baseball season, sometimes I’ll prop up my iPad next to me to keep the Cubs game on, because the iOS version of MLB’s stream is better than the Flash-based web version.
Maintaining a desktop workstation with a broad range of functionality and a portable setup with a synchronized subset of tho se apps and scripts lets me work when and where I can be most productive. My creativity tends to wane the longer I sit at the desk, so being able to pick up and go somewhere (anywhere) else is often useful in finding my muse.
Part of the reason I love the Apple Bluetooth keyboards and Magic Trackpad is consistency between those work environments. My keys are always in the same place, my gestures match between machines and the overall feel is very similar between my desktop keyboards and the Air. That removes a lot of friction when switching modes and lets me concentrate on just producing.
I’m not sure my current physical setup does much for me creatively, to be honest. It’s mainly the software, and in that sense I benefit from the work other people did. Other people figured out what’s needed in a good video editor before I ever started shooting video. Other people figured out how to capture raw photo data and how to get the most from it. Other people solved a lot of technical problems for me before I even knew I had them. Because of those engineers, obstacles get out of my way and let me just concentrate on getting things done.
* * *
Reading through the above answers, as well as all the others, I noticed a bit of a trend.
- People have specific creative goals they are trying to accomplish (write, code, photograph, edit movies, etc.), and they’ve found a combination of hardware and software that helps them facilitate those goals.
- There’s a level of comfort and frictionlessness that comes with hardware that’s the right combination of powerful and portable to do the job.
- There’s something freeing about having a clean and thoughtfully put together work space.
This is a topic I want to explore more. In fact, I plan to on today’s episode of The Weekly Briefly which I’ll be recording in a bit.
Technology often gets a bad rap as being “anti-creativity” because of issues such as the distractions of push notifications, our social network addiction, our tendency to pull out our iPhones any time we have a free moment, our overloaded inboxes, etc.
However, the ways in which technology has empowered us to do our best creative work far outnumber the ways it distracts us.
“Perpetual devotion to what a man calls his business, is only to be sustained by perpetual neglect of many other things.” — Robert Louis Stevenson
* * *
Like many of you, no doubt, I spent some time thinking about personal goals and ideas for this upcoming year. The new year is always a good time to reflect, take stock of where we are, and make sure we’re still on course for where we want to be.
In a few months I will begin my 5th year of working from home and working for myself (thanks in no small part to you, dear readers). One of the most empowering lessons I have learned over these past 4 years has been regarding my own limitations. Not merely my limitations of time, but also of energy.
In any given day I have 2 maybe 3 hours of good writing time in me. A couple hours of reading. Hopefully an hour or two of researching, thinking, or decision making. And maybe an hour of admin and other busywork.
If I push my day to include more than that, I often find myself not making much progress. There is a point when the responsible and productive thing for me to do is leave my office and stop working altogether.
The workaholic in me wants to squeeze in a few more tasks. I have friends who can crank out hours upon hours of productive, creative work. Alas, I’m not one of those types. And so I’m trying to let myself quit while I’m ahead and go upstairs to be with my family, or go run errands, or just lie down and stare at the ceiling while I listen to what is going on in my imagination.
Although I have a regular work schedule, I take time to go for long walks on the beach so that I can listen to what is going on inside my head. If my work isn’t going well, I lie down in the middle of a workday and gaze at the ceiling while I listen and visualize what goes on in my imagination.
I’m an advocate of productivity as much as the next guy with a blog, but over my years of working from home, I feel that too much focus on productivity is to miss the forest for the trees.
Being productive is not what’s ultimately important. I want to do my best creative work and I want to have thriving relationships.
Time management, GTD, focus, diligence — these can help keep me on track. But they are not the end goal in and of themselves. I want to focus first on creativity. What do I need to do my best creative work?
Have I written today? Have I daydreamed? Have I been contemplative? Have I had an inspiring and encouraging conversation? Have I helped somebody? These acts are far more important than the progress I make against my to-do list.
When you work for yourself, there is an oceanic undercurrent that pulls you into the details of your job. The thousand responsibilities of administration and communication and infrastructure. These are important, to be sure, because without them your business would cease to be. But (at least in my case) these are the support structures at best. The foundation of my business is not the ancillary administration; it is the muse.
In The Magic Mountain by Thomas Mann, there’s this great line: “Order and simplification are the first steps toward the mastery of a subject…”
Mann’s line carries the same truth as the quote by Robert Louis Stevenson which is at the beginning of this article. Our devotion to a subject can only be sustained by the neglect of many others. Finding something we want to do is the easy part. Now we must decide what we will neglect — we must simplify where we spend our energy.
In this new year, as our thoughts are on what we can do and what we want to do, perhaps we should first think about what we will not do. What tasks and pursuits will we give up or entrust to others?
* * *
“A man is rich in proportion to the number of things which he can afford to let alone.” — Henry Thoreau
In more ways than one, I grew up in a fussy coffee home. My parents didn’t want me drinking coffee until I was 16 because they were concerned the caffeine would stunt my growth. Who knows.
My home was also fussy about coffee because my dad only ever brewed with a french press. I grew up thinking that brewing and drinking coffee was a special thing. I still think that.
I’m now 33, and have more than made up for the cups of coffee I missed out on the first half of my life. In my kitchen we have a cupboard dedicated entirely to coffee contraptions: a Mokapot; a stovetop espresso maker; an Espro brand french press, a classic Bodum french press, and a single-serving french press; a vacuum siphon coffee maker; two different styles of V60; the Clever Dripper; a Kalita Wave; an Able Kone system; and, of course, the AeroPress.
They’re all great — each one is unique in its own way and brew method. The vacuum siphon pot is a lot of fun to use on special occasions; the Espro makes a large pot of coffee for guests; Able’s Kone Brewing System looks cool; etc.
But the AeroPress is by far and away my favorite. And I know I’m not alone here.
The AeroPress has become this sort of cult classic, popular geeky way to brew coffee. Everyone with a Twitter account recommends it. There’s even an AeroPress world championship competition. And yet, while you can go to your local hipster coffee shop and buy a french press or a pourover, you’d be hard pressed to find a shop that sells (much less even uses) the AeroPress.
So for something that isn’t found in mainstream coffee shops (or even most “hipster” coffee shops), why all the hype? What makes the AeroPress so cool?
I’ve brewed over 1,000 cups of coffee with my AeroPress. Here’s what I think is the good (and the bad) of the the AeroPress.
It’s cheap to buy. If you’re getting in to fussy coffee (or if you lose or demolish your AeroPress), a brand new one is just $25.
It’s cheap to use. For one, filters are super cheap — a year’s supply of paper filters cost just $4. And secondly, most AeroPress brew methods call for just 16-18g of coffee to brew a cup. There is very little waste.
Clean-up is easy. The AeroPress basically cleans itself as you use it. When you’re done brewing a cup, you twist off the cap and pop the puck into the trash. Then rinse and let dry. (Though I will say that I don’t think clean AeroPress cleanup up is quite as easy as with the V60. With the V60 you just toss the filter with grounds into the trash and then rinse the thing out.)
The AeroPress is easy to use when you’re away from your nerdy home coffee tools. The markings on the side of the AeroPress are helpful for measuring out coffee and water. Obviously you won’t need the markings if you’re using a scale to measure. But I take my AeroPress camping and on vacation, so I’ll pre-grind some coffee to take with me, and I know just how much water to add to make a great cup of coffee without having to guess or eyeball it.
These are things you probably already know about. What really makes the AeroPress such a great coffee maker is just how versatile it is. There are a lot of ways you can use it.
For my cupboardfull of aforementioned coffee brewing contraptions, each one has only one best way to brew coffee. The AeroPress has at least three different ways to brew coffee: espresso-like, pourover-esque, and french press-ish. Each way is completely legitimate and delicious.
Now, the AeroPress does have some cons of its own. As I mentioned above, it’s not quite as easy to clean as the V60. Also, the AeroPress can’t brew a big pot of coffee — for that, I use my Espro Press (the Chemex is also a fine choice).
In short, the AeroPress hype is real. If you like variety then the AeroPress lets you mix it up. If you mostly prefer this or that type of coffee, you can find a great way to brew it with the AeroPress. Regardless of the coffee beans or the style of coffee you prefer, there’s a good way to brew it with the AeroPress.
I love this game. Not only is it absolutely fantastic and fun, but it’s so delightfully designed for the iPhone.
To celebrate, here’s some Threes-related trivia and tips that will make you a skilled master in no time:
Did you know the game’s developers spent an entire year trying variations on the artwork and gameplay before finally settling on this simplified version that takes just a minute to learn?
Some more tips for playing Threes, including how new tiles are dealt onto the board.
The way scoring works in Threes, things go up exponentially as you’re able to get higher-numbered tiles.
Then we can get better at it.
We can learn to throw a baseball, to drive a car, and to build a website. So why not also learn to be diligent? Focus, self-control, time management, money management, integrity, creative output, communication skills. These aren’t personality traits, they’re skills we learn.
And just like with any skill, practice is how we get better.
Everyone knows that practicing on the ball field is how to get better at a sport. And the more time we spend in a field of study the more we will learn and grow.
Yet how many of us have settled with the feeling that we are just bad at getting things done? That we are not good at focusing? That distractions are going to get the best of us? That our best creative work is behind us? That’s bullarky. Don’t give up so easily.
Every day, the blank page is your batting practice. You’re not here because you’ve arrived, nor because you’re a superhero of focus and creative output. No, you’re here because you love it and you want to get better. Learn a little about yourself and how you work, find something small you can do to get better, and then add that to tomorrow’s practice.
It was the middle of March that I began my first Baron Fig notebook. About 255 days later, I’ve now hit the end of its 192 pages. About one page every 32 hours.
I ordered the Dot Grid, of course. As water tends to flow downward, I tend to choose black when buying gadgets, devices, and cars and I choose grid when buying notebooks.
The design of a Baron Fig notebook itself is full of character. The yellow ribbon and the grey cloth cover are both unique and friendly. The binding is of the upmost quality. And the notebook is sized to the exact dimensions of an iPad mini. Making it an ideal analog sidekick to the mostly-digital worker.
There are flaws to the notebook. For example, the cover doesn’t lay flat when closed. And I had to take a lighter to tend of the ribbon because it was fraying. Yet, after 9 months of use, these flaws are not points of frustration. Rather, they’ve become endearing shortcomings. Much like the flaws found in ourselves and in our friends — these are no longer flaws, they are quirks we’ve come to love.
I’ve owned and used many different journals and notebooks over the years. I have a growing collection of Field Notes which I don’t even use, but love to collect. My first foray into the world of “GTD” was my own version of a Hipster PDA (remember the Hipster PDA?). Mine was a pocket-sized Moleskine, with a few sticky-notes for tabs.
The Baron Fig may be my favorite notebook I’ve ever used. If I’m at my desk, it’s at my desk. I’ve taken it with me on many trips this year — traveling to WWDC in San Francisco; a family vacation to Colorado in August; Portland for XOXO; Baton Rouge, Louisiana. And it’s been to just about every (good) coffee shop in the greater Kansas City area.
As may be evident with my aforementioned collection of mint-condition Field Notes, I often self-sabotage my own notebook usage. A brand new notebook is too nice to be used. Paper is so full of character. It’s tactile. Real. Fragile. Permanent and impermanent at the same time. It just begs to be used for something awesome. And I never feel that my silly ideas and temporary to-do lists qualify. But if not those, then what?
My Baron Fig and I made a pact. I would use it for the most mundane, menial, impermanent things I could think of. And if I ruined this book by filling it with nothing of consequence, then I would order another to sit on the shelf and collect dust as it waited patiently for something more historic and epic.
But the truth is, when it comes to using our everyday notebooks, quality is found in quantity; meaning in the mundane.
As I thumb through the pages of my spent Baron Fig, the early pages reveal tasks both accomplished and unacomplished. The very first to-do item is a reminder to buy a screen protector for my then-new Olympus E-M10 (something I never did get around to doing until many months later). A few pages further I find my review notes for the Flickr iPhone app which came out in March.
Further in I continue to find scattered notes, ideas, and sketches for the big update to Delight is in the Details that I shipped a few months ago. I also find outlines for reviews I was working on and have since published, notes for the book I’m writing now, budgeting math, and more.
Since I started this notebook, my wife and I celebrated our 9-year anniversary as well as each of our birthdays; my youngest son turned one; a huge re-design to Tools & Toys was concieved, built, and launched; and I wrote and shipped a significant update to my book, Delight is in the Details.
The two biggest trends found in my notebook are regarding my daily tasks and my podcasts. I often write down the talking points and outlines for my Shawn Today and The Weekly Briefly podcasts. And the vast majority of pages are filled with my daily action items and schedule.
According to my own handwriting, it was on May 6 that I adopted a much more analog approach to my tasks and routine. It was then that I began writing down my “big three” projects for the day along with any additional admin tasks, and then scheduling time for those things to get done during the day. For most days from May until October I did this. I would sit down with OmniFocus on my iPad and I would review through the items which were due, and I’d transfer things out of OmniFocus and in to my Baron Fig.
I’ve slowly moved away from this routine over the past month or so since I re-vamped my usage of OmniFocus to make better use of due dates and flags. However, there is something awesome about having 255 days worth of crossed-off to-do items, notes, and the like. And the fear of losing this ability to flip back through the pages is one thing that keeps me tethered to the analog.
As interesting as all of the text in this notebook is, aside from what’s written down on the most recent 8 or 9 pages, I’m not sure if anything is still needed. My Baron Fig is has 192 some odd pages of nothing in particular. And yet, in aggregate, it’s everything. In here are the footprints of my life from the Spring to the Fall of 2014.
Comparing the old notebook to the new one, I am impressed with how well it has worn. There are a few scuffs and stains on the old cover, but it’s not dramatic.
As I open up my new notebook, the binding cracks and stretches. It’s now ready to get to work. This new one will probably see me through to next summer, sometime around my 34th birthday. What will be done between now and then?
Waking up this morning turned out to be a little bit like Christmas. At long last, VSCO Cam has a native iPad app.
Ever since I upgraded to the Olympus E-M10 earlier this year, the iPhone’s VSCO Cam app has become an excellent way to edit my photos when I’m traveling. It’s not exactly ideal compared to importing a batch of images onto my Mac and editing them in Lightroom. But for sharing one or two images here and there, it’s great.
For the past year, VSCO Cam has been the “missing” iPad app for me. When I travel, I often take just my iPad as my “main PC”. And I’ve always wished there was a way to use VSCO to edit my images on the iPad instead of on my phone. I think the VSCO photo filters are second to none. I use them in Lightroom on my Mac, and I have the VSCO Cam app on my iPhone’s first Home screen. Aside from my lenses and my own eye, VSCO is one of the most important aspects to my photography workflow and style.
All that said, I’ve written below some of my first impressions of the new VSCO Cam app for iPad and what’s good and bad about the app.
Also, I bought one of Apple’s Lighting to SD Card readers so I could directly import my photos to the iPad instead of using my Camera’s wi-fi connection. I’ll explain the process of each, but in short, the latter is quick and easy for one or two images at a time, while the former is better when importing many photos to the iPad.
The E-M10’s Wi-Fi connection and the Olympus iOS App
Though not exactly cumbersome, neither is it delightful to import more than just a few images to the iPad using the Olympus Wi-Fi connection and the Olympus iOS app. The process looks like this:
- Turn on Wi-Fi on the Olympus E-M10
- Launch the iPad Settings app and join the Olympus’ Wi-Fi network
- Open the Olympus Share app
- Chose to import photos
- Browse the photo viewer to find a photo you want to import
- Tap on that photo
- Wait for the photo to load
- Tap the “Share” Icon and chose to save to Camera Roll
- Once the photo has been saved to the Camera Roll, the Olympus app asks you if you want to turn off the camera. Tap no if you want to keep importing more photos.
- Go back to the photo viewing gallery and repeat steps 5-9 for each photo you want to ad.
- When you’re done, the photos you’ve imported will be in the Camera Roll as well as an album called “Olympus”.
I’ve been using this process on my iPhone since February of this year. It works great for weekend trips and times that I just want to import and share a few photos before I get back to my Mac.
Moreover, I’m grateful the E-M10 has Wi-Fi because the Lightning to SD Card dongle doesn’t work with the iPhone (no, really). And so the Olympus importing workflow is the only way to get photos directly from my camera onto my iPhone.
Long have I wished for an iPad-centric workflow. For one, the larger screen of the iPad far better suited to photo editing. Moreover, for extended trips, I’ve always wanted to be able to edit a dozen or more photographs and then send them out to the relevant friends and family. But importing them one at a time and then editing them on my iPhone just never felt appealing.
But, now there is VSCO Cam for the iPad. Combined with the Lighting to SD Card Camera Reader, my wish may have been granted. Is it all I ever hoped for? I don’t know — I’ll find out at Christmas when I go back to Colorado for the holidays and leave my Mac behind. But in the meantime, here are my first impressions of using the adapter to import photos and using VSCO Cam on the iPad to edit them. This is how I spent my afternoon.
How the Lightning to SD Card Reader works
Unsurprisingly simple, but not exactly quick.
- When you plug in the adapter with an SD card in it, the Photos app instantly launches and you are taken to the Import tab.
- The iPad then loads up all the images that on the card so you can preview their thumbnails. This took my iPad mini literally almost one second per photo. So, if you’ve got hundreds of images on the card, it will take several minutes before the Import tab is ready to go.
- You can then tap on any of the photos you want to save to your iPad, and those thumbnails will get marked with a little blue checkmark circle.
- The Import button is dangerously close to the Delete button, be careful when you are ready to import your selection.
- You can then chose to import all the photos on the card, or just import the ones you’ve selected.
- Once imported, you get the option of deleting those images from the SD card, which is nice. But I’ll keep them for now, thanks.
Something else I like about importing to the iPad from the SD Card reader is that iOS remembers which photos I’ve imported already. And so, if I’m importing just a few images now, next time I go to import photos from that same card, I won’t be forgetful about which ones I already brought in.
However, there are two things I don’t like about this process.
- It loads the images from oldest to newest. So if you plug in the SD card to import a few images you just took, you have to wait for the whole card full of images to load before you can select the most recent images.
- You can’t enlarge the images to view them in full-screen before importing — you have to import them based on the merit of their thumbnail view alone.
Once imported, the photos get saved in the default Camera Roll and photo stream albums. From there you launch the VSCO Cam app, and add them to your VSCO Cam Library at which point you can edit them on the iPad. Wouldn’t it be great if the VSCO Cam app could see the SD Card and I could add directly to my VSCO Library? Ah well
VSCO Cam for iPad
The VSCO Cam app for iPad is great. Just like the iPhone app, VSCO on the iPad is free and the filters it comes with out of the box are fantastic. And the design of the app makes it feel like a first-class citizen on the iPad, as it should.
The layout of the iPad interface is different than the iPhone’s. The filter selection and editing tools are on the left and right sides, instead of on the bottom. Holding the iPad in landscape orientation with both hands is the best way. This way you can operate the app somewhat like a game — using your thumbs to navigate the controls on both the left and right sides as you move around the app, editing images, uploading them, etc.
With this update, your VSCO Cam Library now syncs across devices. You can tell if a photo is synced by the double-circle icon in an image’s top right corner.
And, not only do the images themselves sync, so too do the edits you’ve made. But! Not only do the edited images sync, it’s the non-destructive edits. Meaning, you can edit an image on your iPad, save it, sync it, open it up on the iPhone, and revert it back to the original version. Slick.
There are, however, a few things I’d love to see added to the app:
Right now, there is no way to apply the same edits to a batch of photos. Not only does the larger screen of the iPad make it more friendly to editing photos, it also makes it more of a go-to device for editing a lot of photos. The way I edit in Lightroom is that when I’ve got a batch of images all from the same event, I edit one to get just right and then I synchronize those edits to the group of photos. It’d be awesome to have that same functionality in VSCO Cam.
And, curiously, there is not yet a share extension for iOS 8. This is unfortunate. It means you can’t make VSCO edits to your photos without first importing them into the VSCO Cam Library. In my link to VSCO Cam this morning, I commented on the lack of the share extension saying that who knows if the omission of the share extension is due to technical hurdles or if it’s a philosophical move.
The VSCO Cam app is much more than just a photo editing app — it’s an entire photo platform. It’s clear that VSCO Cam wants to be your one-stop shop for all your mobile photography needs: from the camera, to the photo library, to the best editing software, to their own Instagram-esque publishing platform (Grid), and their own photo-centric blogging platform (Journal). What’s awesome is that VSCO Cam does all of these things with aplomb. Their in-app camera is excellent, their Library is easy to navigate and it syncs seamlessly, their editing tools are second to none, and their Grid and Journal platforms are polished and well used. But not everyone wants to use all of these tools. Some folks just want to snap a photo from their iPhone’s Lock screen, apply a one-tap filter, and then share it on Facebook. It would be unfortunate if VSCO Cam was holding back on their implementation of an iOS Extension for political and philosophical reason.
However, considering the fact VSCO Cam was highlighted during the iOS 8 introduction at WWDC, something tells me their missing extension share sheet is due to a technical hurdle, and eventually it’ll make its way out.
* * *
All in all, I’m so glad to have a native VSCO Cam app for my iPad. Though it’s not a life-changing revolution to my photography workflow, it certainly is something I’ll be using.
And now it has me curious if we’ll see VSCO Cam for Mac some day. I mean, we know that VSCO’s bread and butter is their Lightroom presets. Why not roll those presets into a stand-alone Mac app that they sell? And now that they’ve got the Library syncing, it’d be a piece of cake for the photos you take on your iPhone and/or iPad to sync to the VSCO Cam app on the Mac.
It wasn’t until a few weeks ago that I realized I’ve been using OmniFocus all wrong ever since the Forecast View came to the Mac.
The Forecast View is awesome. But it’s not where your daily to-do list should live.
I don’t know about you, but if I look at my to-do list, it is mostly things which I want to do today. Only one or two (at best) are things which actually have a hard and fast due date of today and need to be done.
By living in the Forecast View, I’ve slowly developed the habit of setting the items which I want to get done as being due today. Or, if I know I can’t get to it today then I’ll set it to be due tomorrow or the next day. Seems natural and logical when your in the middle of it, but it’s actually not the best way to go about things.
My usage of Due dates and the Forecast View mirror Chris Bowler’s exactly. In his weekly members-only newsletter, Chris recently wrote:
I was a heavy user of due dates, but the reality was these dates were fictitious. It was more a case of when I’d like this task to be done or worked on. This could be a problem as some tasks truly were due on a specific day, but they would be mixed in with other tasks in the Forecast view that were more wishful thinking than anything else.
I was able to get by with this usage for a couple of years. My habit was to simply push out the due dates when things got crazy and desired tasks did not get done when I had hoped.
Same here. Fortunately, Chris pointed me to Sven Fechner’s excellent OmniFocus Perspectives Redux series, which is helping set me straight with a much more logical — and honestly, a much less stressful — way of managing my daily task list.
- Introduction & Planning
- Project Centric Doing
- See also Tim Stringer’s article on why it’s important to use due dates sparingly.
(If you’re using Due Dates for juggling your “things I want to get done today” list, then I highly recommend you read the above four articles in the order I’ve listed them.)
In short, you should create your own custom perspective for “Today”. And let that list show you all the tasks which are either Due today or which are Flagged. When you are doing your daily review and scrubbing your list, don’t think about what’s due — because it should already be given a proper due date — instead, just flag the tasks you want to get done that day. Then, go to your Today perspective and now you’ve got a list of items which are both urgent (i.e. due today) and important (i.e. flagged).
Another cool thing about using this Today perspective is that you can pull it out into its own window and “Minimalize” it by hiding the left and right sidebars and hiding the toolbar. And you end up with nothing but a list of your task list for the day.
I use an OmniFocus-only Keyboard Maestro macro to opens the Today perspective in its own window, automatically hides the sidebar, toolbar, and inspector, and then resizes the window to be 475px wide and 600px tall.
Two notes about using the Today perspective like this: (1) You need the Pro version of OmniFocus 2 in order to create custom perspectives; and (2) in the setup window for that perspective you’ll want to have it open in a new window, so that the changes to window size and hiding the sidebar, et al. don’t mess up your Main OmniFocus window.
* * *
It’s the stuff like this that I love about OmniFocus. It really is the best GTD app out there. I’ve been using it every day of my life since early 2010 and I’m still learning and improving on it. Not to mention the brilliant and clever community of folks who use OmniFocus and share their knowledge with the rest of the world.
Up next for me is to get a better handle on using Contexts and Project Folder hierarchy so that when I am doing “work” work, I only see those tasks, and when I am doing “peronal” work I only see those tasks. But, one step at a time, Shawn.
For the past 3 months I’ve been working on my next book. It’s called The Power of a Focused Life and is all about things like life goals, time management, work-life balance, creativity, the tyranny of the urgent, focus, and more.
Over the past several months, most of the episodes of my members-only podcast, Shawn Today, have been about the topics and ideas I’m writing and researching for the book.
I just recently finished the crappy first draft, and it’s around 16,000 words. I wanted to start by getting everything written down that I had in me — the first draft is just me straight-up writing down the things I know and the things I do regarding these topics. It’s a great start, but there is a lot more ground I want to cover.
And so now I’ve begun the second phase of writing, which involves intentional research. I’m now reading articles, books, and teaching series from others so I can find out what I’m missing and add more content to my second draft of the book.
All that to say, I recently read an article and book about identifying and changing habits.
It got me thinking about one of my own worst habits: checking Twitter.
One of the reasons I wear a watch is to help keep me from pulling my phone out as often as I would. If I want to check the time I look at my watch. Because as soon as I’m holding my phone, it’s instinct at this point to swipe-to-unlock the thing. And then, once the phone is unlocked and I’m staring blankly at my Home screen of icons, I’m going to want to launch an app. But because I unlocked the phone without any clear plan for what I needed to do, the next thing I know I’m checking Twitter. And all the while, I don’t even know what time it is. See? It’s a bad habit.
There are three components that make up a habit: Trigger → Response → Reward.
The keys to changing a habit are to start by figuring out what the reward is — what is it that you’re seeking to gain by carrying out the habit action? Then, learn what the trigger is so that you can head it off at the pass or prepare for it. Finally, you insert a new, healthy action as the trigger response instead of your bad action.
Now, let’s just assume that compulsive checking of Twitter, Facebook, and email are bad habits. And by that I mean they are habits we want to change. I know I personally would like to check Twitter less often. (Have I ever gained anything by checking Twitter while standing in line at the grocery store or while waiting at a red light?)
For me, here’s what my Twitter checking habit loop looks like:
Trigger: I have down time; I’m bored; I’m waiting for something or someone. Common times this occurs are when I’m standing in line somewhere, when a commercial break comes on during a football game, when I’m waiting for water to boil, etc.
Response: Pull out my iPhone, launch Twitter, and just scroll through tweets.
Reward: Pacify my boredom and/or get a short-term gain of social interaction because someone @replied to me or whatever.
What I need is a new action to do when I have down time.
Of course, it’s important to mention that there is nothing wrong with being bored. In fact, those little moments of mental down time can do wonders for our long-term ability to create, problem solve, and do great work.
For the times I do want to use my iPhone when I’m waiting in line at the grocery store, I’ve come up with a few alternatives instead of just checking Twitter.
These are a few alternatives to the Just Checks:
Scroll through your Day One timeline and read a previous journal entry or browse some old photos and memories.
Launch Day One and log how you’ve spent your time so far for the day. Doing this for a few weeks can also be super helpful for getting a perspective of where your time and energy are being spent.
Write down 3 new ideas. These could be articles you want to write, business ideas, places you want to visit or photograph, topics you want to research, date ideas for you and your spouse, gift ideas for a friend, etc. These ideas never have to to be acted on — the point isn’t to generate a to-do list, but rather to exercise your mind. Ideation and creativity are muscles, and the more we exercise them the stronger they get.
Send a text message to a friend or family member to tell them how awesome they are.
Don’t get out your phone at all.
These alternatives are meant to be healthy. Meaning they have a positive long-term effect and satisfy the same reward as before. The point here is to not default into the passive consumption of content (it’s so easy to do that anyway). If you’ve got any ideas of your own, let me know on Twitter.
Take advantage of those down time moments and allow our minds to rest for a bit or else engage our minds by doing something active and positive.
My review of the new Retina iMac could be said as one word: sensational.
I once read that a man buys something for two reasons: a good reason and the real reason. I bought a Retina iMac for a very good reason: my primary computer — an aging MacBook Air — was due for an upgrade. But the real reason? It’s a 27-inch Retina monitor and it is astonishing.
Of course, it wasn’t entirely an easy decision to make. For as long as I’ve owned my own computer I’ve loved laptops. I love that I can close the lid, put the computer in my bag, and take my main work machine with me anywhere I want. There’s no syncing between two machines, or wondering if this or that file is on the computer or not, and no compromises when I’m on the road.
And so the choice to get the Retina iMac was also a choice to give up my perceived sense of freedom and portability that comes with having a laptop as your one and only computer. And honestly, it’s turned out to be not a big deal.
Over the past few years since I began writing here as my full-time job, a few things have changed regarding my work habits. For one, I work here at this desk in my home for about 80-percent of my hours. There were a few months at the beginning of this year when I was commuting to a local co-working space, but that didn’t quite stick for me (but that’s a story for another day and it’s underpinned by my hope that WELD will one day come to Kansas City).
Secondly, when I do travel to a conference or drive to a local coffee shop for the day, I mostly prefer to take my iPad. The work I do revolves around reading, writing, and communicating with my team. All of which are things I can do quite easily from my iPad thanks to apps such as Instapaper, Drafts, Poster, Unread, Editorial, Slack, Mail, Basecamp, OmniFocus, Safari, and Pushpin.
All that said, leading up to Apple’s special event I knew I’d be upgrading my MacBook Air. The question was, to what would I be upgrading?
Plan A was a 13-inch Retina MacBook Pro and a Thunderbolt Display. The new computer to replace my old Air and the new Display to replace this grey market IPS display as a stop-gap while I waited held my breath for an updated Thunderbolt display (if there’s one thing I’ve learned in the past decade of being an Apple user it’s to not hold my breath waiting for updated external displays).
But there was a rumored iMac with Retina display that was throwing a wrench in my upgrade plan.
And as I thought about my various upgrade options — either stay a laptop-plus-external display user, or switch to become a desktop user — I thought about how I mostly work. And realized that the vast majority of my computer working time is spent at my desk. I’ve been mostly using my Air in clamshell mode practically since I bought it in 2011.
And here at my desk, it’s more than just the computer that I have going on. I use a standing desk, a clicky keyboard, and gigabit internet. There are many incentives (comforts, really) that make my home office workstation comfortable, efficient, and preferable. Honestly, I like it here.
And so I decided that I was willing to double down on my home-office setup and that my next main Mac would become a desktop machine if it meant I could get a Retina display.
Welp, that’s exactly what happened. Apple announced the new iMac with its Retina 5K Display, and I ordered one right away.
Built to Order
I’ve been a Mac user since early 2005 when I bought a 12-inch PowerBook G4 so I could learn Photoshop. And if the last decade is any indication, I use my computers for almost exactly 3.5 years. And so I try to get the highest-specced version of a machine that I can afford so as to prolong its usefulness.
Graphics and Processors
When ordering my iMac I went all out. It has the upgraded processor (4 Ghz Quad-Core Intel Core i7), the upgraded graphics card (AMD Radeon R9 M295X 4GB GDDR5), the 1TB SSD, and 32GB RAM (via OWC’s upgrade kit). In short, I kinda ordered the absolute top-of-the-line iMac. But it’s worth it, and here’s why.
The step up CPU and GPU were an easy choice. It’s $500 extra for both, but considering this is a bleeding edge machine with a bazillion pixels to push, it seemed prudent to get the better graphics card and processor in order to handle the screen. My personal computing needs consist mostly of open browser tabs and text documents — hardly the sort of work that demands the top-of-the-line iMac’s outrageous horsepower. But my gut tells me the iMac’s 14.7 million pixels will appreciate the octane, and I’d rather be safe than sorry.
Jason Snell received a baseline review unit of the Retina iMac from Apple. And in his review he encounter occasional graphic stuttering:
In my use of the stock system, graphics performance was generally fine, though if I opened a whole lot of windows and spaces and then invoked Mission Control, I could definitely see pauses and stuttering. I have no idea how much of that is the fault of the system hardware, and how much is the fault of the software.
I’ve got 18 applications with 22 windows open at the moment, and when I invoke Mission Control it’s about 98% smooth as butter. Meaning, if I’m looking for pauses and stutters, I can kinda notice one, but then it’s gone the next time. And every other graphic animation — scrolling, moving windows around, resizing, minimizing, maximizing — looks perfect (save Time Machine, which I’ll get to in a bit).
David Pierce reports of there being some tearing during fast-paced graphics games, even on his high-end review model. In my usage over the past week I haven’t seen any tearing, but I also don’t play any games on my iMac.
Upgrading the RAM was another easy choice. There’s a little plate in the back of the Mac that pops out and it’s a piece of cake to add new memory yourself. It took me about 5 minutes. And OWC has a page set up with recommended upgrade options.
The iMac ships with 8GB of ram as 2 sticks of 4GB. The most reasonable upgrade is to simply add two more 4GB sticks to get a total of 16GB. You can get this from OWC for $100. I decided to go all out and upgrade to 32GB of RAM because we all know Safari will drink that RAM up like liquid gold once she’s got more than a few open browser tabs. I hear extra memory is also helpful when working in Lightroom.
Solid State Storage
And as for the storage. Well, I went with the 1TB SSD for the sake of minimalism. Seriously.
I went with the SSD instead of a Fusion Drive because I’m not a huge fan of the latter. I’m sure they’re great, but I’d rather stick with pure solid state.
What blows my mind about the Solid State Drive is the Read/Write speeds I’m seeing. My very first SSD was an OWC Mercury Extreme Pro that I put into my aluminum MacBook Pro back in 2010. At the time it had a read/write speed of 134 and 109 MB/s respectively. And when the SSD in my MacBook Air was brand new its read/write speeds were 265 and 248 MB/s respectively.
As you can see from the screenshot above, the SSD in my iMac reads at 688 MB/s and writes at 705 MB/s. (!) That’s really fast.
Compared to the baseline Retina iMac that Engadget reviewed, which included a Fusion Drive, my write read speeds are about the same but my write speed is more than double that of the Fusion drive.
The reason I went with 1TB is because a bigger capacity hard drive makes life so much easier. It means I don’t have to juggle with storage, wonder which drive a certain folder is on, nor worry about if I have room to import a card full of photographs.
I could get by with a 512GB drive because right now, all my data takes up about 400GB. But since taking up photography two years ago, it has become a very serious hobby, and I’m taking more pictures now than I was 2 years ago. And so the reason I wanted the biggest drive is so I wouldn’t have to start playing file storage musical chairs again in just a year from now.
Having a larger internal drive that can hold all of my files, also makes backups easier. With my MacBook Air, I had to offload most of my photographs and media to my Synology and then access those over the network. Not exactly a huge deal, but definitely a bit complex and also it meant I had two drives each with their own unique and priceless files on them.
Therefore I had two drives which each needed their own local backup and their own offsite backup. The Synology is pretty awesome in this regard. It runs in RAID and thus internally has its own redundancy. Additionally, it can automatically back itself up to a local USB drive (just in case the Synology unit itself ever gets fried), and it can back itself up to Amazon Glacier or Google Drive (among other options). But the only thing better than having all my files available on an awesome network attached storage drive is having all my files on my main computer.
Not to mention, even with NAS-grade hard drives and a gigabit network connection, I’m still only getting read/write speeds that are a fraction of those I’m seeing on my iMac’s internal drive.
Now that all my files are on the iMac, I have just one local and one off-site backup to manage. I use SuperDuper and an external Western Digital drive for nightly clone, and I have a Time Machine partition on my Synology.
Now that I’m no longer using the Synology as a media hub, its can be, and should be, so much more than a Time Machine destination. I’m going to do some research into using it as a VPN as well as possibly sync my Documents folder to the Synology because the iOS app for remote access to files is great (too bad there is nothing like that for accessing files on my Mac from my iOS device through Back to my Mac).
The creative professional has long been one of Apple’s primary user demographics. And it used to be that if you were doing serious work, you bought a Mac Pro. But over the years, not only has the iMac line gotten more and more powerful, so too has the MacBook Pro line. In fact, over the past several years, many a creative professional has become a “laptop primary” person. Myself (previously) included.
Anyone who deals with graphics and images and videos is always looking for fast and powerful. Naturally, it’s fun to have a computer that boots up faster than you can pour a cup of coffee. But it’s also practical to have such a beast. A more powerful machine means less time waiting for videos to render, apps to build, and photos to export. And that genuinely makes life better for a lot of us.
And that’s why its so wild that the high-end Retina iMac is faster than the entry-level Mac Pro in some cases. This is not your mom’s iMac.
And yet, despite what an amazing workhorse this computer is, you don’t buy it for the power. You buy it for the screen. For the first time in desktop computing history, the speed and power of this machine is not the primary story or selling point. Rather, it’s all about the display.
And what a display it is. What I’m discovering is that the wonder of a Retina display is directly proportional to its size.
The more I use and learn about this iMac, the more I’m amazed with it. It’s a ridiculously powerful computer underpinning a jaw-dropping display. Put those two things together and you get something truly special. I know you know this.
Now, I’m someone who rarely does any graphic design, nor do I shoot or edit any video in 4K, and I’m a hobby photographer at best. What do I need a Retina computer for?
I work with words all day long, and text is perhaps one of Retina’s primary beneficiaries. We’ve been saying this since the iPhone 4 came out in 2010, but it has yet to cease to amaze me: type on a Retina screen is sharp, crisp, and print like. And on a 27-inch monitor, it’s all better. Especially when this is the screen I am in front of for the vast majority of my work day. Yes, I have my iPhone with me all the time, but I spend exponentially more time in front of my computer than my phone.
The most marketable use-case scenarios for the Retina iMac are for video and photography professionals. But if you deal with text and words as your primary vocation — i.e. writing, programming, editing, layout design, etc. — I think you’ve just as much reason to get a Retina Mac as those professional video editors and photographers do.
As a writer by trade, part of me wants to argue that wordsmiths have even more of a legitimate reason to go Retina than those working with images and graphics. But, then I open up Lightroom to process some of my recent photography and I’m blown away at just how stunning my pictures look. So I guess we all have equal grounds.
Setting up the new iMac
It was a week ago this morning that FedEx delivered my iMac. I get a new computer so rarely, that when I’m setting it up I use it as a chance to start fresh.
Instead of using Migration Assistant to port over all the apps and settings and preferences from my MacBook Air, I simply set up the iMac with the clean install from the factory and only added files and apps as I needed them.
While things are certainly a bit more tedious this way — especially the first day of setup — I like having the chance to once again pick and choose which apps I install. It lets me start with only what I actually use on a regular basis.
Dropbox and iCloud Keychain make things surprisingly easy in this regard.
Most of my apps that have any sort of syncing engine (1Password, OmniFocus, TextExpander) are up and running just as I left them on the MacBook Air. Others, such as Keyboard Maestro, Transmit, and Hazel, I had to export my settings out of those apps on the Air and then import them into those apps on the iMac.
This is one area where the Mac App Store shines. Installing a dozen or more apps from the MAS is as simple as scrolling down the list of purchases and clicking “Install”. For those apps I own which I didn’t purchase through the MAS I needed to go to the respective website, download the free trial, launch the app, and then dig up and enter in my license info for that app.
After syncing my Dropbox folder I then just copied over all the files in my Air’s Documents folder, all the music and photos from my Synology. And while that was running, the apps I installed right away were Dropbox, LaunchBar, TextExpander, and 1Password. After those I installed Byword, MarsEdit, Reeder 2, OmniFocus, Rdio, Coda 2, Transmit, Bartender, Hazel, Backblaze, Lightroom, Day One, Fantastical, iBank, Droplr, Simplenote, and Tweetbot. But not in that order.
On my Air there are 216 items in the Applications folder. On my Mac, there are currently just 66. Feels good.
Aside about 2-Factor Authentication
I have 2-factor authentication enabled on pretty much any service that offers it. This was the first time I’ve gone through a complete ground-up setup where all my logins were guarded by verification codes. To my surprise and delight, it was surprisingly painless — and even encouraging — to use all the 2-factor authentications I have set up.
Lightroom on the Retina iMac
As mentioned above, my photography hobby has been the biggest bane to my MacBook Air. Both in terms of storage space and processor capabilities. As explained earlier, the guts of my iMac have obliterated my two biggest pain points with photography. The new computer (a) has plenty of storage space to hold all the photographs I’ve taken over the past 2 years with room to spare for the next few years’ of photos; and (b) has the processing power to work much more quickly in Lightroom.
Beyond the fact that it’s a better computer for doing photo editing, it is a vastly superior screen. My Olympus shoots RAW images at 4608×3456 pixels. It’s bigger than 4K video, and quite a bit taller as well. So I can’t fit 100% of my image onto the screen while working in Lightroom, I can however view it at 50% pixel-for-pixel resolution and it looks so nice.
Time Machine Oddities
Looking at the photograph above (click here for full size), you can see some lines and odd graphics where there should be smooth graphics and gradient shadows. I asked around on Twitter, and several other folks are seeing the same thing with Time Machine on Yosemite, and, from what I can tell, it’s pretty much only an issue on Macs with Retina displays. Which includes not only the new Retina iMac, but also the Retina MacBook Pros.
However, if I take a screenshot of what you see above, then the screenshot doesn’t capture any of the graphics oddities. It looks just fine.
Something else with Time Machine is that the timestamp for the current file / folder in view renders blurry, like an image at non-retina scale:
One concern some folks have had about the Retina iMac is how loud the fan will be. My experience pretty much mirrors exactly that of Jason Snell:
I notice when I’m recording a podcast and my MacBook Air’s fans are loudly blowing because some runaway app is using way too much processor power. When I ran stress-testing processor and GPU-based tests on the iMac, the fan would definitely come on, and in a quiet room it was audible. It was also, to my mind, vastly quieter than the fan in my MacBook Air. The iMac’s not going to match the Mac Pro for quiet fan blowing, but neither is it going to beat out any Mac laptops in a contest to see who can make the most noise.
I can’t remember the last time my MacBook Air’s fans weren’t running at full speed and volume. And while my iMac certainly does have an audible fan at times, even at its “loudest” it’s nearly unnoticeable except when my office is completely silent.
A few Yosemite hacks
This terminal command to get the dark-themed Dock while keeping the light themed Menu Bar sets you up to have the best of both worlds.
Last week, Ian Hines asked me how apps and websites hold up in on the Retina screen. The fortunate answer is that they hold up extremely well.
This iMac is not the first web-connected Retina device, nor is it the first Retina Mac. And so, at this point, the vast majority of websites and Mac apps have been updated to look great on a Retina screen.
While I do encounter some blurry bits on occasion, they are few and far between. The only downside I can think of with this computer is that it cannot run as a standalone monitor.
When I’m standing here, using the iMac, I keep thinking about how it’s all about the screen. But what’s crazy is that the screen is only half the story. Inside this iMac just so happens to be one of the fastest Macintosh computers on the planet. Take away the Retina display and you’ve still got an incredible machine. But you don’t have to take away the display. With the Retina iMac you’ve got your cake and you’re eating it, too.
From all I’ve read about this iMac, combined with all I’ve experienced, this is the real deal. There is no disadvantage to being an early adopter here and there is no major tradeoff. I am so happy this computer exists. This is the dream. This is Retina Desktop Without Compromise. And it is wonderful.
Let’s take stock for a moment of a few really awesome new gadgets that are currently on the market. Specifically the new iPhones, iPads, and Kindle.
iPhones 6: For all intents and purposes, the newest iPhones are the best iPhones ever made. They are ridiculously thin, have an incredible camera, and are wildly fast. I’m personally a huge fan of the new curved-edge design; the way the glass screen curves off the edge like a 4-sided infinity swimming pool is awesome. Not to mention the super-high-density of the iPhone 6 Plus’s display — it’s the highest resolution display Apple makes.
iPad Air 2 and iPad mini 3: The iPad Air 2 is hands down the best tablet ever made. It’s curiously thin and seriously fast. The iPad mini 3 improves on last year’s iPad mini by adding Touch ID and a gold option.
The Kindle Voyage: The new flagship Kindle is also the best Kindle ever made. And it’s not just an incremental upgrade over last year’s Paperwhite — it’s an excellent step up in terms of the design, hardware, and e-ink display.
If you’re in the market for a new iPhone, iPad, and/or Kindle — this is a great year to buy. Each device is the best its ever been. But…
Despte the fact that there are all these new and amazing gadgets, I think it’s legitimately safe to say that many folks will prefer the tech that was new last year. And, in many cases, there are some people who would be better served by getting last year’s gadgets.
iPhone 6 or 5?
You may not want one of the new iPhones because the smaller form factor of the iPhone 5s is better to you. It will work with the Apple Watch when it ships and since the iPhone 5s has Touch ID, it will also support Apple Pay via the Apple Watch.
iPad mini 3 or 2?
You may not want the new iPad mini 3 because its only significant difference over the iPad mini 2 is Touch ID. As nice as Touch ID is, I don’t think it’s nearly as critical to have on an iPad as it is on an iPhone. That extra cost would be better spent on apps which will improve the utility of your iPad far more than Touch ID will.
Kindle Voyage or Paperwhite?
On the new Kindle Voyage, I think the 300 ppi display may be the least exciting upgrade when compared to the Kindle Paperwhite. Yes, the lighting is better, the form factor is better, and the page turn “buttons” are a most-welcomed addition. But I personally cannot tell a significant difference between the 212 ppi display of the Kindle Paperwhite and the 300 ppi display of the Kindle Voyage.
I don’t mean this as a put down to the Kindle Voyage at all. Mine arrived yesterday and I’m thrilled with it. But, it is one of those situations where it’s not an obvious choice. The Kindle Paperwhite is still a really great Kindle, and the $80 saved when compare to the Voyage may be better spent on Kindle books.
* * *
All this to say, I think it’s a fascinating product lineup this year — there are some truly amazing and wonderful products available. But for the first time in recent memory, it’s not a completely obvious choice to just buy the latest version. Last year’s gadgets may not only be the better choice from a financial standpoint, but also as a personal preference as well.
Over the weekend I made some time to catch up on some reading I’ve been looking forward to. I’m a few issues behind in my Offscreen magazine subscription, and I just recently received the first issue of Lagom magazine.
These magazines are just fantastic. Offscreen has always focused primarily on the people behind the pixels. It’s mostly comprised of interviews, profiles, a-day-in-the-life-ofs, original essays, and more. All featuring the folks who many of us know from online.
Magazine seems an unfair category. For one, the quality of paper and printing is superb — it feels more like an extended, special edition comic book than something you’d find on the shelf at Barns & Noble. The advertising is classy and simple — never breaking up an article. And the content itself is meant to endure just as the quality of the paper speaks to the non-disposable nature of Offscreen.
I’ve been reading Offscreen since issue 1 (I was a contributor to issue 2), and the quality has so clearly increased.
This past weekend I made time to read through most of issues 7 and 8 of Offscreen and thoroughly enjoyed them. Issue 7 especially, it had an underlying focus on business and time management — two topics which are at the top of my mind lately.
What’s cool about Offscreen is that it’s filled with the sorts of articles and interviews that you’d almost certainly be filling your Instapaper queue with, except it’s expertly laid out on a printed page with full-color photographs. For a nerd like me who enjoys this type of content anyway, I love the different and experience of reading it in print. Moreover, when I’m done, I can pass off the magazine to a friend and let them borrow it for a while.
And speaking of magazines, the inaugural issue of Lagom is now out and wow. I’ve long been a fan of Elliot Jay Stocks’ work. I bought every issue of 8 Faces, I have a copy of Insites: The Book, I bought the first (and last) edition of Digest, and now I’m a subscriber to Lagom.
Note: you can get the digital versions of Insites and Digest for free on the Viewport Industries home page.
Over the years, Elliot has clearly become a master at editing together a printed work and doing the design and layout. If you like Offscreen, you’ll also like Lagom. It, too, has a focus on the people of our creative industry, but with its own unique voice and style.
Elliot’s past work — especially Digest — served as a great point of inspiration for our recent re-launch of the Tools & Toys website.
As a physical object, Lagom is commanding. The book is large and thick, printed on hearty stock with a foil-embossed logo on the cover. Lagom is equal parts entertainment, information, and inspiration. I honestly don’t know what’s better — the content, the design and typography, or the photography.
Let’s talk about tools, services, and apps that can help you reduce cognitive friction during your day.
Computers are great at doing the boring, automated stuff we don’t like to do. So why not automate common tasks (like performing backups of your computer), pre-make decisions for your computer to carry out on your behalf (such as auto-filing certain email newsletters), and generally just find ways to make yourself more efficient?
I think the biggest reason we don’t do these things is because we don’t care. Seriously. In the moment, it seems easier to just continue suffering through our broken and inefficient workflows that it does to take a step back and consider if there’s a better way.
You could spend an extra 5 minutes every day for the rest of your life sorting through the spam and newsletters in your email inbox, or you could take 15 minutes today and tell your computer to do it for you.
I think another reason we don’t set stuff like this up is because we don’t even know what options are available to us. And so that’s why I’ve put together this brief list of all the apps, tools, and services I use to help me do things better when I’m at my Mac.
Email Rules: In an ideal world, the only emails that would show up in your inbox are the ones you want to read. Email is not the enemy, but it sure can get unwieldy in a hurry.
Step one is, of course, to unsubscribe from all the incoming email newsletters you don’t want to get. I am subscribed to some email newsletters because I like what they have to say; some of these emails I keep out of my inbox and auto-file them into my “Bacon” folder. I also have rules set up to flag certain emails that contain the word “sponsorship” or “typo”. And I use VIP sparingly — my accountant and my wife send me an email, it will set off a push notification on my iPhone.
Keyboard Maestro: This is a utility app for bending your Mac to your will. It’s hard to explain what KM does because it can do just about anything. I use it to launch certain apps with just a keyboard shortcut; I use it to streamline the exporting of my podcast audio out of Garage Band; I use it for doing bottom-posting email replies when appropriate; I use it to automatically launch the Doxie importing software and to import all my document scans as soon as I’ve plugged my Doxie Go into my Mac; and more. Basically, what Keyboard Maestro is good at is automating certain certain tasks for you
Hazel: Hazel is like the cousin to Keyboard Maestro. While also great at automating tasks, it works under slightly differently contexts. Hazel works with the files on your computer, and mostly runs under the hood. You can have it do things like automatically clean up all the files on your Desktop at the end of the day and move them into a “Desktop Cleanup” folder. Hazel will notice if you delete and app and then ask if you also want to clean up all the system files related to that app. Hazel can automatically take any new images you’ve added to Lightroom to your NAS drive and copy them onto your NAS drive for backup and archival purposes. And more.
LaunchBar: The whole point of an application launcher is to quickly get to the files and apps you frequently access on your computer. You bring up LaunchBar with a keyboard shortcut, type in the first few letters of an app, bookmark, or file that you want and LaunchBar presents a list of the best results sorted by most-likely-what-you-want.
As you use it, LaunchBar learns your most common searches and provides weighted results. There’s a lot you can do with LaunchBar, custom searches, zipping and emailing files, and more. I wrote a whole review about the latest version here.
TextExpander: Surely everyone reading this knows about this utility app which runs in the background on your Mac to expand snippets of text into sentences, words, dates, and whatever else you can imagine. It makes a great tool for quickly punching out common things you type on a regular basis (such as common email replies, email signatures, misspelt words, etc.) For example, I use the snippet
;hometo automatically insert my home mailing address. (A tip about using the semicolon before the word: that helps guarantee that the snippet isn’t something I would type in any normal situation.)
1Password: Another app I hope you’re familiar with. Yes, 1Password is great for storing all the various logins and other sensitive bits of information. But it’s also a very efficient tool. When I need to log into something, insert my Credit Card info, or whatever, a quick keystroke to bring up the 1Password quick entry window and I’m off to the races.
Fantastical: Fantastical is an awesome calendar app. And one of the things I like most about it is how quickly accessible it is (since it lives in the Menu Bar, a keyboard shortcut brings up the app instantly and I can see the list of my agenda). But I also like the natural language parsing. When it comes to events and appointments, we all just naturally speak in sentences. And so, having a calendar app that interprets that language so well makes it much easier to enter in new events (and reminders).
Time Machine: I can’t stress how important it is to have regular backups of my computer. And Time Machine takes all the thought out of it by automatically backing up my computer to an external hard drive several times per day.
SuperDuper: I also like to have a bootable backup of my computer. And I use SuperDuper to do this every night. And there’s an option in SuperDuper that will automatically launch the app and begin a smart update backup as soon as I plug in my USB drive. So that means, when my computer’s apps are all closed out and I’m ready to do the nightly backup, all I do is plug in the USB drive.
Maximum internal storage: One thing I’ve learned about computers is that there is never enough internal storage space. I would rather spend my time taking photos and listening to music than shuffling files around. And so I always get as much internal storage as I can so hopefully I don’t have to keep fighting that ceiling.
BreakTime: A simple app that reminds me to move around every 45 minutes.
Timing: A utility app that tracks how I spend my time when on my computer. Hindsight is 20/20 you know?
iBank 5: This financial management app has auto-import rules that properly re-name and assign transactions when I’m importing them from my bank. It also has income/expense reports, budgeting, and more. I know that any banking software worth its salt will have this, but I use iBank because I think it’s the best. I do all my own bookkeeping, and having as much of the busywork automated by my software helps me so I only need to spend less than 5 hours per month doing my books. (iBank also becomes extremely handy come tax season.)
Tweetbot: I use lists when I need a quieter timeline and I use some muting rules so I don’t see certain tweets that I’m not interested in (such as those “whatever daily is out!” announcement tweets).
Things I need to improve at
For the sake of transparency, I want to be clear that I am not Mac Zen Master. My desk isn’t always free of clutter (it’s usually not), and there are many areas of work that I know I can improve on.
Such as my podcasting workflow. I record a podcast almost every single day, and it takes me time every day to save, export, master, and publish it. The routine is almost the same every day, but I haven’t found a way to speed up that process now that I use Auphonic for mastering the audio after I’ve exported out of Garage Band.
I also recognize that one of the greatest ways to work smarter isn’t by using a “hack”, but by simply getting better at focusing and seeing a task through to the end.
I know there are places I can get better at focusing and at improving my own habits. Such as not checking Twitter as often as I do. Or improving my habits for processing incoming emails. Even my task management habits need help. (Don’t tell anyone, but I often find myself playing the “due date game” with my tasks instead of properly assigning due dates based on actual urgency and then reviewing all my projects on a regular basis.)
It can be easy to get hyper nerdy about this stuff, and to spend forever and a day tinkering and fiddling and “optimizing”. I listed out the above things not to say that you should be utilizing them as well, but instead to give you an idea of perhaps one or two ways that you could work smarter.
It just boils down to being mindful about the work we are doing. When we notice that there’s something we do repeatedly, step back for a moment to see if there’s a way to automate that task. And if there is something we do that annoys us, step back for a moment and question if that task is truly necessary — or if it can be delegated to someone or something.
The holidays must be approaching. The air outside is getting cooler, Starbucks probably has some new drink with fall-flavored syrup, new iPhones are about to ship, and new Kindles have just been announced.
The new Kindle Voyage looks awesome. It’s Amazon’s new, top-of-the-line Kindle device. The Paperwhite from last year is still available and has remain unchanged except it now has more internal storage. And the bottom-of-the-line Kindle now has a touch screen.
Three years ago I bought a Kindle Touch when it first came out and instantly fell in love with both the hardware and the ecosystem. One year later, I upgraded to the Paperwhite because I do most of my Kindle reading in the evening and having an illuminated display was a no-brainer.
Today’s new Voyage is a significant step up from the Paperwhite. It’s thinner, it weighs less, and it also has some great new hardware features which improve on the three areas I have most wished for improvement in my Paperwhite.
The Voyage has a higher resolution display. The Paperwhite’s 212 PPI display is great, but 300 PPI is better. That’s equivalent to print resolution.
Better lighting. I have a first-generation Paperwhite, and the lighting is uneven at best. In my review from two years ago I wrote:
By far, my biggest complaint against the Kindle Paperwhite is with the way the lights illuminate the bottom of the screen. Underneath the bottom bezel of my Kindle are four LED lights, shining upwards to light up the screen. Yet they shine like spotlights, and it’s not until about 3/4 of an inch up the screen that their light beams blend into one another and you get a soft, even lighting.
This is common. All the Paperwhites have it and nobody likes it. The darker your reading environment, the more pronounced the uneven lighten is. It’s unfortunate for sure, but it is what it is and by no means is it a deal breaker.
The 2nd generation Paperwhite improved on this with a more (though not completely) uniform lighting. And though Amazon doesn’t say anything about the actual lighting (the display is still lit by a few LEDs along the bottom), but the new Voyager does have a sensor that auto brightens / dims the lighting based on the ambient light in the room. And so, the lighting is probably not yet perfect, but the best it’s ever been.
In the two years which have passed since I wrote the above, my “biggest complaint” has changed. It’s no longer the lighting, it’s the lack of a hardware page turn button. The way the Kindle Paperwhite works is that you tap on the screen itself to turn the page. The problem with this is that if you are reading with one hand — it’s quite easy to hold the Kindle with one hand, and so it’s common to be reading with one hand — it’s not easy to roll your thumb over onto the screen to turn the page. It’s even worse if you’re holding the Kindle with your left hand, because the left-side margin is where you tap to go back a page, not forward.
Turning the page is arguably the single most common interaction you will perform with the Kindle, and it’s just not super great on the Paperwhite.
The new Kindle Voyage is now the only Kindle with a dedicated button for turning pages. They call it a “PagePress” button and it’s a pressure-based turn sensor with haptic feedback that (should) make it easier to turn the pages when holding the Kindle with one hand.
* * *
If you’re someone who enjoys reading, the Kindle is a delightful device.
I stare at lit-up computer screens almost all day long. And though I could read my Kindle books from my iPad mini, having a paper-like e-ink screen and a single-purpose little lightweight gadget is a most welcomed change of pace in my day.
But that’s not all. Dedicated hardware aside, there is another huge advantage to reading Kindle books over iBooks. And that is the Kindle Highlights library.
Log in to kindle.amazon.com/your_highlights and there you will find all of your highlights and notes from all the books you’ve read. This is, by far, one of my favorite features of the Kindle ecosystem.
I mostly read nonfiction books, and I highlight stuff like crazy. These highlights are how I revisit and rediscover the books I’ve read.
Additionally, when I’m browsing on the Amazon Kindle store and see a book I’m interested in, I don’t buy it right away. Instead I send the sample to my Kindle, and my Kindle’s Home screen doubles as both my library and my queue.
* * *
The Voyage is the flagship Kindle for a reason. It has refined and improved on all the “shortcomings” of the Paperwhite. However, if $200 bucks is more than you want to spend on a Kindle, then get the Paperwhite. Unless you really just want the cheapest possible Kindle, I would not recommend you get the new (plain) Kindle. I owned a Kindle Touch when they first came out, and though it was pretty great, paying an extra $40 is well worth it for having a higher-resolution, illuminated screen.
As for with or without 3G — only you can answer that question, but I bet you don’t need it. There are a lot of places where having LTE on your iPad is handy, but how many places do you really need cellular connectivity for your Kindle? For me, it’d only be when I’m going on a camping trip where I’ll be without wi-fi. But it’s easy enough to make sure my Kindle is in sync before I walk out the door, and it’s not like I’m going to plow through my entire queue of unread Kindle books over a weekend outdoors. And even if I did, my iPhone doubles as a wi-fi hot spot, so if I desperately needed to connect my Kindle to the internet then I could just do so via my iPhone.
And as for with or without Special Offers, get your Kindle with them and you can always pay the extra $20 later to turn them off. I’ve had them displayed on mine since 2011 and they kinda bug me but not that much. There’s no point in paying the $20 extra now when you can just as easily pay it later.
And so, if you decide to get a Kindle, do me a favor and use one of these links. I’ll get a small kickback from Amazon which helps me keep the lights on here. Thanks.
The live stream aside, this week’s Apple event was great. Now, I know these press events aren’t technically meant to be entertainment — they are mostly meant to be informational — but, Apple has always prided themselves in putting on a good show with these events. As a performance — as a “show” — the WWDC keynote was far more fun I thought. Today’s even was great in its own way.
Tim Cook was in rare form on stage. He had a blast showing off the Fallon / Timberlake commercials; he was super excited to show the Apple Pay demo video — so much so that he showed it twice in a row; he was awkwardly giddy at the end when he and Bono announced the free U2 album on iTunes.
Cook was more relaxed — almost giddy at times — compared to past keynotes. He was wearing his heart on his sleeve more than normal. Not a lot, but it was certainly noticeable.
My hunch is that Cook’s excitement had to do mostly with the Apple Watch.
Perhaps Tim Cook had a deeper hands-on role with the development and vision for this device than any other Apple product. As CEO, all the Apple products are like Tim’s kids. And ask any parent, you can’t pick one kid as being your favorite. But, with the Apple Watch being the first major new product in a new category to ship during his tenure as CEO, perhaps Tim Cook is more sentimental about this product release and announcement than others before it.
That said, here are a few miscellaneous thoughts and observations about the event and the cool new products we’ll all be waiting in line to buy.
The Live Stream Fail
It was an epic failure for the first 25 minutes. All around the world the Apple site was up and down, the live stream was failing, and when it was on, you could hear Chinese overdubs — you could hear both Phil Schiller and a translator talking simultaneously.
At just about 30 minutes into the event, the live stream started working again. But Apple introduced the iPhone so quickly — it was announced within the first 10 minutes of the show — that by the time the live stream was back up, Phil Schiller was almost on to talking about pricing.
The iPhone 6
The days of secrecy are long gone. We had rumor sites with full models of the iPhone 6 — we knew what it would look like. And we knew there would be two sizes: a 4.7-inch and 5.5-inch.
I haven’t had any actual hands-on time with either iPhone, but I did print out a paper mockup of each phone to get an idea of what the dimensions actually look like and how they compare to my current iPhone 5s. Yes, this sounds goofy, but based on the paper mockups I printed out, the 4.7-inch iPhone 6 doesn’t seem unreasonably large.
I am a person who prefers a smaller phone. I also spend far too much time each day using my iPhone, and so I appreciate any and all additional screen real estate that doesn’t come at the cost of physical usability. For me, I want to be able to easily pocket my phone and be able to easily hold it. The 4.7-inch seems to meet all those criteria.
Remember how freaked out we were about a 4-inch iPhone? How “perfect” the 3.5 inch screen was? And how nervous we were about a hypothetical 4-inch phone hindering us from being able to tap on every pixel and easily use the phone with one hand? It took a little getting used to, but everyone I know quickly acclimated to the iPhone 5/s. It is noticeably thinner and lighter than the iPhone 4/s, which helped, and once we got used to the additional screen space, the 3.5-inch screen of the phones of yesteryear felt stubby and cramped.
I suspect that is exactly how it will bode for those of us upgrading to the 4.7-inch iPhone 6. The new iPhone 6 is significantly thinner than the current generation, and with its curved edges will not feel too big. Just like the iPhone 5 compared to the iPhone 4, the iPhone 6 is mostly just taller. Though in this case it’s not only taller. It is also just a little bit wider.
In a month from now, those whom have upgraded will be acclimated, and when they look at the “small” 4-inch screen on the iPhone 5 they will wonder how they ever got any tweeting done in such a crowded pixel space.
The question is, of course, if Apple is going to stop here? How big will the smallest iPhone get? How long will the iPhone lineup consist of 4-, 4.7-, and 5.5-inch phones? Will 5.5 one day become the new smallest size? I hope not, but who knows?
The mobile phone market has asked for bigger phones and Apple has responded. Because not only does Apple want to make the best phone on the planet, they also want to sell as many of them as possible. This strikes me as a pragmatic move on Apple’s part — this time they have skated to where the puck is. Instead of holding their ground that their first design decision was the right decision forever, they are willing to make concessions to serve what the market wants. And the market wants freaking huge phones.
After the keynote was over, I asked on Twitter what size iPhone people were going to get. The replies were split almost right down the middle — a lot of people want the 5.5-inch iPhone. And I think it’s going to prove a huge success. Though it doesn’t appeal to me, those who do get one I bet will rave about it. Sort of like all those folks who got iPad minis when everyone else was holding on to their full-size iPad because “you can’t do real work on an iPad mini.” Well, I bet most of those who buy a 5.5-inch iPhone 6 Plus will never go back.
That Protruding Camera Lens
Kinda ugly right? Kinda “not like Apple,” right? Well, I think this is a place where Apple has shown their hand at just how motivated they are to keep progressing the camera technology in their phones. Their engineering team has made a phone so thin that they physically can’t pack the lens and sensor into it.
Remember with the iPad 3 and how it was slightly thicker and heavier than the iPad 2? It had to be in order to accommodate the bigger battery that was powering the Retina display. Apple had to choose between a device that was as thin and light as its predecessor, or one that had good battery life. They chose battery life.
With the iPhone 6 and 6 Plus, they’ve chosen to make the camera as good as they can make it, even if it causes the lens to slightly protrude. As much as Apple is known for their design and good taste, let it never be said that they will chose form over function when it comes to the most important features.
One More thing…
When Tim Cook announced the Apple Watch (it’s going to take me a while to stop saying “iWatch”) he was grinning ear to ear. As I mentioned above, his excitement and giddiness were palpable.
Cook said how Apple loves to make new products. They love to make technology more personal. This could have been a place to show the slide with the street signs showing where technology and the liberal arts intersect.
Cook said he was excited to announce an entirely new product. That it will redefine what people expect from its category.
He then cued the video that revealed the Apple Watch.
After the reveal, he came back out on stage. His shirt sleeves rolled up with a white Apple Watch Sport on his wrist. And he gave a few fist pumps into the air. The room was cheering and Tim Cook was genuinely excited and happy.
As Cook began to talk about the Watch, he called it the most personal device Apple has ever created. “We set out to create the best watch in the world,” he said. And then he gave the four main bullet points of what makes it so great:
- Precise (keeps time to +/- 50 milliseconds)
- Customizable (sizes, bands, metals)
- New way to connect and communicate directly from your wrist
- Comprehensive health and fitness device
The Watch, of course, does so much more. It can be a remote for your Apple TV, it can show you notifications that are coming in on your phone, you can start reading an email on your watch and then “hand off” that email to your phone to reply, you can use it as a viewfinder for your iPhone’s camera, there’s a Walkie Talkie feature, and more.
But the core functionality of what Apple is shouting from the rooftops is 4-fold: precision, personality, communication, and health. I want to talk briefly about the latter two.
Communicate directly from your wrist
Communication is critical. We want more than just a remote control for our iPhones, we want something that can function like a miniature phone. This has been the promise of all the smart watches that have come before: view incoming notifications, control your phone, save the world. But they’ve been underwhelming because they are difficult to operate and don’t actually make things easier than just pulling our phone out of our pocket.
The Apple watch has some clever features from iOS 8, such as the intuitive reply buttons where it can guess what your reply will be to certain text messages. And there is Siri — you can dictate to your Watch for sending messages. And then there is this other way that the Watch lets you communicate with others (who also have a Watch).
Bring up a contact and you can send them small drawings, morse-code, and even your own heartbeat. There is a purity and childlikeness to this watch-only communication method that I am absolutely intrigued by. As a user, I think it’s clever and beautiful. And from a marketing standpoint, it’s also a brilliant way to encourage people to buy a few watches and give them to their friends. I know that if I buy one, I’ll probably buy two — one for me and one for my wife.
Comprehensive health and fitness device
The health and fitness features will be, I think, the Watch’s “killer app.”
For one, there is a huge market for this. The small wearable device that tracks our movement. Well, the Apple Watch does so much more than just track our movement.
They say that a big part of what separates lifelong athletes from casual exercisers is those willing to do the same workout day after day after day. Well, a big foundation that helps with keeping the motivation to stay healthy and fit is to have tangible short- and long-term goals as well as the encouragement and cheers of your peers.
The Apple Watch seeks to aid these in a new and unique way. Of course, it tracks our activity and movement, but it can also monitor the intensity of our activity. And it sets goals for us, such as to stand for at least one minute every hour. And then it communicates with our iPhone to provide reports and give us reminders about staying active and what our progress is. The data collected by the M8 processor, the pedometer, and the GPS of our phone and watch, combined with the fitness apps, combined with Health Kit, make for an impressive and comprehensive toolset for the average person to be more informed about their personal health.
Not only is that a popular thing right now, but it’s also a good thing. They say people watch an average of 5 hours of TV every day. Many of us work desk jobs and we sit in front of a computer for many hours at a time.
I live in Kansas City, Missouri and we are ranked as one of the most unhealthy states in America. We are also the BBQ capitol of the world, so…
But my point is, many of us are sitting down most of the time and we don’t get outside nor do we go to the gym. And if we did want to begin getting in shape, where do we even start?
While Apple can’t answer that question, they can make some significant innovations that will not only raise people’s awareness of their own health and activity, but it will also, hopefully, give them some tools and motivation to do something about it.
And for those who are already active, now perhaps there is a device that will help them with their goals and also be fun and delightful to use.
A Few Thoughts on the New Olympus E-PL7 Camera and the Olympus Micro Four Thirds Landscape in General
About a week ago, Olympus announced the E-PL7 camera. It’s available for pre-order now at $600 for the body only and will ship around the end of the month.
Reading the press releases and several of the pre-release reviews, ’tis clear that the E-PL7 is a significant step up from the E-PL5. The latter is a camera which I have long considered to be one of the best-kept secrets of the Micro Four Thirds lineup — it was cheap, small, and packed a lot of punch.
However, after shooting with my E-PL5 for over a year, I upgraded to the E-M10. My upgrade choice was driven primarily by my want for a manual control dial. The rest of the features of the E-M10 (view finder, better image stabilization, wi-fi, et al.) were just icing on the cake at the time, but they have proven to be invaluable.
The improvements in the new E-PL7 are almost exactly in answer to the very same reasons I upgraded to the E-M10 six months ago. In fact, the E-PL7 is such a step up from the E-PL5 that it’s now comparable to the O-MD lineup in terms of image capabilities and in terms of and what features it offers to the user.
The hallmark features of the E-PL7 include:
- 3-Axis in-body image stabilization
- TruPic 7 image processor that debut in the flagship E-M1 camera
- A manual control dial
- Improved auto-focus
- New camera body design with more retro and more metal
- Selfie-friendly viewfinder (no, seriously)
- And there is also what looks to be an improvement to the 4-direction control nob on the back of the camera. The spin-dial on the E-PL5 turned out to be a joke over time and actually has become sometimes unusable on my camera body. Getting rid of the spinning part and just doing buttons is a good move.
Aside from Selfie Mode, the E-M10 has all these same hallmark features. And, as I mentioned above, the E-M10 was an extremely worthwhile upgrade from the E-PL5. But that’s where I wonder about the the value of the E-PL7. It’s just $100 cheaper than the E-M10, but for that $100 you get the built-in electronic view finder, twice as many custom dials and function buttons, and an arguably more handsome camera with a better grip and better build quality.
My point being, as awesome as the E-PL7 looks when compared to its younger sibling, I don’t know that it’s a no-brainer of a purchase. It’s terribly close in price to the E-M10, and the slight savings of $100 means you’re not getting things I think are easily worth that $100 (especially once you’re up in that price range already).
The Olympus Micro Four Thirds Landscape in General
There are three lines of camera bodies that Olympus is actively producing right now: The O-MD, the PEN, and the PEN Lite. And from these we have the E-Mn, the E-Pn, and the E-PLn respectively.
The OM-D line is the flagship / pro line. It currently consists of the E-M1, E-M5, and E-M10. These cameras get the latest and greatest technical improvements first, and then those advancements trickle down into the other lines.
Unlike the OM-D line, the PEN and PEN Lite lines have just one “main” or “active” camera body at a time. Right now those ar the E-P5 and E-PL7 respectively. It seems the PEN Lite cameras get the O-MD’s features first, and then they are put into the PEN family afterwards.
It’s getting to the point where all of the Olympus cameras are on a level playing field with one another in terms of their core capabilities to take great images.
All of their latest cameras have (nearly) identical sensors and processors. Which means, at the end of the day, they are all equally capable of capturing the same images.
And so, it’s what’s outside the camera that counts. Which features are important to you? What’s your budget? Which camera looks the coolest to you?
The E-PL5: If you want the cheapest you can possibly get, then I’d still recommend go with an E-PL5 still. There were some major advancements to sensors and processors in the E-PL5, and it’s not worth the money you’d save to get anything that preceded it.
The E-PL7: If you want the smallest you can get and aren’t super concerned about price, get the E-PL7 It’s just barely bigger than the E-PL5, but its improvements are significant and will be worth it.
The E-M10: If you want the most compact pro-level, the E-M10 is great. It is just a bit bigger than the E-PL7 and is only $100 more expensive. Yet it comes with some excellent professional-grade features that you’ll be glad you have if you plan on being even remotely serious with your photography habit.
The E-M1: If you want the most bells and whistles, the E-M1 is the flagship model.
For me, I’m extremely happy with the E-M10. It’s the right balance of being a small size while offering the additional pro-level features. But more on that once I wrap up my E-M10 review.
Hello, again. This is Shawn’s cousin, Nate, continuing to guest post while Shawn is away. Some of you may remember me from the last time I wrote some guest posts. This time around I’m doing a mini-series on recent events in soccer. Or as 2 billion people call it, football.
If you have any feedback or comments about these football articles, you can email me here.
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Expectations for an exciting World Cup this summer were running high in the months prior. Cups in South America have traditionally been more infused with the free-flowing spirit of the football of that continent, if not also the gamesmanship thereof.
Going into the tournament, I was thinking along the following lines:
The title holders and, dare I say, heavy favorites, were Spain. Having won the last three major tournaments that they entered (European Champions of 2008 and 2012, and World Cup Champions of 2010), it seemed foolhardy to pick against the title holders. With the controversial late addition of the deadly Diego Costa (Brazilian-born but Spanish nationalized) to the Spanish roster, the Spanish side only looked stronger. The warning signs were there, however. Prior to 2008, the Spaniards had never lacked for talent, only for sharp goalscoring and confidence. What they finally added in 2008 was a pair of red-hot strikers in David Villa and Fernando Torres, and a big dose of swagger. When their strikers started to age and/or cool off, and teams started to learn how to deal with their possession-heavy style of play, Spain stopped running up the scores but held onto their confidence and won a lot of games by close margins. Could Diego Costa be the injection of liveliness that Spain’s game had been missing in the goal-scoring third of the field?
Brazil had had a great warm-up tournament in 2013, the Confederations Cup: not particularly prestigious but still fun. Brazil stormed through the opposition in style, and it was a coming-out party of sorts for a young star named Neymar. However, Brazil’s performances in friendly matches in 2014 had been suspect, with Neymar looking increasingly alone in a dull offense. Betting against a host nation is always an easy way to look foolish, though.
Argentina is home to the little maestro Lionel Messi. No one ever wants to come out and say that Lionel Messi won’t win, because there’s the possibility that he’ll score 4 and make you eat a big slice of humble pie. The inner child of every football fan is always alive to the possibility of Messi dribbling six players and scoring, and with the World Cup taking place on South American soil, every team native to the continent gets the home team treatment when they aren’t playing Brazil. Although Messi hasn’t performed as insanely well for Argentina as he does for Barcelona, he’s still world-class for them. The question was whether Argentina could provide enough quality elsewhere to complement his mighty left foot.
England, Italy, and France weren’t making any toes tingle before the tournament, but they’ve shown they can always be a threat. France were particularly impressive, if only by contrast with their previous World Cup squad which had failed so dismally in South Africa. 2010 runners-up Holland were also again putting a lot of quality on the pitch, and to our delight had been placed in a group with the previous winner Spain, meaning that a replay of the previous final was going to take place in the opening days of the tournament.
Germany, of course, always has technical ability in spades and usually goes deep into tournaments.
The South American factor
The aforementioned South American boost put a nice shine on already quality teams like Uruguay and Chile, and even added some gloss to other nearby teams like Colombia and Mexico.
The pot was bubbling over, and everyone was ready to eat! So what happened?
Brazil exploded out of the gate looking . . . mediocre. With a questionable penalty call necessary for their first win, at least we got a statement of intent from Neymar, with a brilliant goal from nothing.
The tournament felt like it really got started on the next day, with the replay of the 2010 Championship game between Spain and Holland. Spain scored first, again on a dubious penalty, and were bossing possession as usual. Then, just before half-time . . . magic from the Flying Dutchman Van Persie. It was a real shocker and it felt afterward like the blow that kicked open the door to one of the most memorable group stages in World Cup history. In the second half Holland scored four more goals as chins all over the world sagged to the floor in collective disbelief.
“Ok,” we thought, “Spain lost their first game at the last World Cup. They can pick up the pieces.” Apparently Chile didn’t get the memo and unceremoniously dumped the holders out of the Cup in their next game. The weirdest part was that it felt kind of like a relief. Diego Costa had played like a man with a ball and chain strapped to one ankle; he was obviously not fully recovered from the injuries that had kept him from playing in the Champions League final. With David Villa relegated to a substitute role for reasons I’m not sure anyone could articulate, and Spain’s other strikers proving ineffective, I didn’t want to see another tournament of 89 minutes of sideways passing with the odd half-chance mixed in. Out with the old, in with the new.
What else did we get to see in the Group Stage besides goals galore? A young Colombian firebrand named James Rodriguez making his presence known. The United States playing legimately good soccer in spurts, and finally overcoming their bogeyman Ghana. Mexico getting systematically robbed and still making it through. Cristiano Ronaldo looking mostly average (hehe). Germany looking terrifying and then bleh and then dominant. Luis Suarez continuing his sterling run of form. Messi finally scoring in bunches in a World Cup, and Argentina actually looking a complete team (their defense has been suspect in recent, uh, decades). Crowd darlings Costa Rica overachieving their way out of their group. The young studs of France winning with style, including what would have been one of the goals of the tournament scored while the referee was blowing his whistle to end the match.
And the goals. Did I mention the goals? So many goals. It was a joy to see attacking football prevail over the defensive style that had perhaps characterized the last couple major tournaments.
Once the smoke had cleared, we saw the following shocking list of teams going home after just three games: England, Italy, Spain, Portugal, Ghana, Ivory Coast, Russia. Wow!
Once we got into the knockout rounds, we had more 1-0 scorelines and penalty shootouts than I would have liked, but don’t look a gift horse in the mouth and all that, yeah? Again we had great sporting moments: Tim Howard’s incredible performance against Belgium, this ridiculous Messi pass that I could watch all day, a volley from Rodriguez that I could watch all year, heartbreak for Mexico against Holland after a wonderful Cup-long display of heart and talent.
And not-so-great moments as well: the biting from Luis Suarez. The terrible foul on Neymar that cracked his vertebrae and ruled him out of the remaining games, and the infamous subsequent 7-1 mauling of Brazil by Germany (who could probably have scored more). For that matter, the ugly spirit that Brazil themselves showed against Chile and Colombia.
Finally we get down to two teams: Germany and Argentina. After the group stage it looked like Argentina were sound but not yet great, but surprisingly, their defense was the backbone of the team. Mascherano had shown that a concussion is actually a performance enhancing drug against Holland. Angel Di Maria, while not even at his personal best, probably outperformed Messi in the knockout games by sheer volume of output. Germany, of course, looked like the favorite after demolishing the hosts. I was a little afraid that they would repeat the performance, having seen Argentina out of the previous two World Cups.
What I didn’t expect was for Argentina’s attacking talent to carve out three clear chances and miss them all! One for Higuain, one for Messi, and one for . . . the other guy. Germany dominated the second half but couldn’t find a way through. Then finally, deep in extra time, just as we’re all resigning ourselves to penalty kicks, comes a wonderful goal worthy of winning the World Cup.
The pundits on TV talked about Germany through the tournament in colorless terms, like “clinical”, “precise”, “ruthless”, which I thought was uncharitable and a bit biased, albeit technically accurate. If England had played like Germany they would have been “open” and “free-flowing”; Brazil would have been “creative”; Spain would have gotten “it’s a joy to see their renewed energy”, etc. Germany were all of those things and fully deserved their eventual win.
I thought this World Cup was probably the best of my lifetime, certainly the best of the ones I’ve watched. It probably won’t go down as being “great”, because Germany were the only team that looked like a great team, and a great final needs two great teams to bring the best out of each other. But as a spectacle it was absolutely riveting, and it had so many great dramatic elements: villains, new heroes, overachieving underdogs, epic collapses from dynastic teams, and don’t forget about the buckets and buckets of goals.
Here’s my wishlist of 5 things I’d like have to have seen at the World Cup:
- Brazil knocked out by Chile. Then we’d get to see Chile vs Colombia, and the winner of that game vs Germany. I thought Brazil were too negative and Neymar was the only bright spot.
- A fully fit Diego Costa. I think Spain will be a force to be reckoned with again very soon with a fit Costa and a coach willing to cut Torres. That said, I thought it was insulting to Spain’s other strikers that Costa kept getting starts when he wasn’t up to par.
- Radamel Falcao fit and playing for Colombia. Colombia played out of their minds with just Rodriguez, how good could they have been with Falcao on the field?
- Suarez keeping his teeth in his mouth where they belong. He robbed us of his presence against Colombia and I like watching the guy play.
- The US holding on for the win against Portugal. If the US can top their group by drawing against Germany, that game looks a lot different, and we might get to play Algeria (whom we beat at the last World Cup) instead of Belgium. Why did the US play so well for so long and then turn off for thirty seconds at the end?
- (I cheated) One more attacking player in great form for Argentina, preferably an attacking midfielder to feed Messi.
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What were your favorite moments or wishlist items from the 2014 World Cup? Let me know and I’ll drop them into the last column of the series, coming soon!
Hello again! This is Shawn’s cousin, Nate, guest posting while Shawn is on vacation at an undisclosed location. Some of you may remember me from the last time I wrote some guest posts. This time around I’m doing a mini-series on recent events in soccer. Or as 2 billion people call it, football.
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As a brief primer to the uninitiated, in European countries there are usually many hierarchical divisions of football, which teams can work their way up through by winning or placing high in the league that they are in. At the very top of each hierarchy is a division often referred to as the Premier League or the National League. This system is foreign to Americans – imagine starting a basketball team at your local rec center and winning for 15 years until you’re in the NBA. On top of that, there are tournaments where the minnows from lesser leagues get to play against the sharks from the big show and have a chance at a famous victory.
Some notes on the points system: in the world of European soccer, there are two kinds of competition. Knockout tournaments play out just like our playoff system after a certain point. But the league itself doesn’t have that format. In the league, you play against every other team twice, and at the end whoever has the most points wins. To an American this seems almost sacrilegious – playoffs are where champions are forged. But after some exposure I began to see the beauty of having to be consistent for the entire season in order to have a shot at the title. In a playoff system the most consistent teams are often punished for their extended efforts because those high-achieving players are beaten and bruised from a long successful campaign.
This has been a fascinating year in football. The two major leagues I follow, the English and Spanish leagues, both had fascinating conclusions. Then there was a little tournament in Brazil you may have heard of . . .
Let’s take a look!
In the English Premier League, with 5 games to go, Liverpool was in prime position to claim their first league title in 20 odd years. Liverpool is one of those underdog teams that occasionally pick up two or three world class players and put together a run for the title, fall just short, and then can’t hold on to all its superstars. The exception to that rule is Steven Gerrard, who at his peak was one of the most terrifying midfielders to roam an English pitch. Stevie G is a titanic figure in English football; universally respected for his on-field performances and (perhaps somewhat begrudgingly) for his loyalty to one club. Liverpudlians and neutral fans alike were a-tingle at the thought of Gerrard winning his first League championship; we previously thought the moment might have gone, as he’s past his prime now. Liverpool’s success last season was less about Gerrard’s aging legs and more about the dynamic front pairing of Daniel Sturridge and one Luis Suarez. Yes, that Luis Suarez. A divisive figure if ever there was one, Suarez is perhaps the most talented footballer to don the Liverpool crest. One might say that he has a real . . . hunger to win.
He’s also derided for his intentional handball that ended up eliminating crowd darlings Ghana in the World Cup four years ago. To which I say, score your penalty kicks. Suarez did the right thing to give his team every chance to win and I would have done the same thing in his place. But I wouldn’t bite people.
Back to the EPL last season. So Sturridge and Suarez are combining to score goals left and right last year. With 5 games to go, Liverpool was in pole position (I’m not even going to attempt to summarize the drama that was going on at all the top clubs leading up to this point – suffice to say it was a wild free-for-all and no one was consistently winning at the end). Even better, both of their rivals at the top of the table were still in their schedule. With wins over both of them, victory would be almost assured.
Liverpool wins the first showdown against Manchester City in a 3-2 thriller! So far, so good. Four games to go, they win again the next week by the same scoreline. Six goals in two games, they’re firing on all cylinders, right? They’re going to need all the momentum they can get because up next is their hated rival Chelsea, coached by one of the most effective and boring tacticians of the modern game.
Chelsea wins 2-0.
Ok, all hope is not lost. Now Liverpool are even on points with Manchester City, all they can do is keep winning and hope Manchester City slip up. Or they could score 14 goals in two games to go ahead of Manchester City on goal difference (unlikely, in case you didn’t pick up on that).
Then came Crystanbul. Liverpool go up 3-0 against a team they should rightly be dominating and look set to cruise to victory. Unfortunately, karma from 2005 comes calling at an inopportune time. Crystal Palace score 3 goals to tie the game and effectively end Liverpool’s title hopes.
The images of Suarez weeping on the field after the game was a humanizing moment for many neutral observers and delicious nectar to his haters.
Almost mercifully, Manchester City won their remaining games. If they had dropped points, it would only have been that much worse.
In the end I think Manchester City were about as sheepish as could be for winning the league. It was universally felt that Liverpool had lost it more than MC had won it, and there was a sense of doom about the whole situation. Liverpool have labored in Manchester United’s shadow for twenty years now, and it feels like a curse that they can’t win a Premier League Championship since United’s star has risen and Liverpool’s has faded.
They did win one of the greatest games ever played on the big stage and clothed themselves in glory as European champions, but that’s a story for another time.
At least they can take comfort in knowing they’ll never walk alone.
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As crazy as the EPL finish was, the Spanish League finale was even more dramatic. Tune in again soon for the next installment in last year in soccer!
It’s crazy, I know, but we finally got around to watching Jiro Dreams of Sushi. And wow.
Though the documentary tells the story of Jiro Ono and his sushi bar, it’s actually not about sushi. Jiro Dreams of Sushi is about art, craft, dedication, and passion.
I read a lot of interviews with creative folk. Sites such as The Great Discontent, and publications such as Offscreen and Insites, are all insatiably fascinating to me. And one of the common themes you find running throughout these interviews has to do with “consumption”. Writers need to read; musicians should listen to music; photographers should get out there and experience the world. Etcetera.
We know that’s true, but why? Why should writers be avid readers? Shouldn’t we be spending our free time writing?
Jiro Ono, perhaps the world’s greatest sushi artist, explains why:
“In order to make delicious food, you must eat delicious food. The quality of ingredients is important, but one must develop a palate capable of discerning good and bad. Without good taste, you can’t make good food. If your sense of taste is lower than that of the customers how will you impress them?”
If you spend all your time only making and never improving your own palate, you’ve placed a ceiling on the quality of work you’ll ever do.
Your homework for the week is to take time out and experience something incredible. Enjoy it and allow it to mold and improve your own taste.
In my article a few weeks back regarding working from home, I touched on the importance of staying physically healthy. Especially for those of us who sit at a desk and do pixel-related work all day.
The boiling point for me came about 6 weeks ago. My legs were to the point where they felt sore pretty much nonstop because of poor circulation. This was a combination of sitting all day and sitting in a not-great chair.
And so, I took action. I turned my desk into a standing desk, started running, and made a few small changes to my diet.
If you’re like me, sometimes you get paralyzed by indecision. There are so many options and opinions for how to stay healthy that it can be daunting. And so we put off making any sort of choice because we’re afraid we won’t make the perfect choice. Something I’ve learned over time is that when you’re facing a decision and you know you need to act, it’s often best to just do something — anything — and then figure it out as you go.
And that’s what I did with my health. My health changes have centered around three areas: diet, my desk, and doing something active. Of course there are other answers to these problems, but this is what I’m doing right now. And, perhaps, if you’re in a similar boat this will give you a spark to give something a shot and see where it takes you.
While physical activity is important, it’s only part of staying healthy. And for those who want to lose weight, they say that what you eat is more important than what your exercise routine looks like.
I’m not on a special diet or anything like that, but I have made a few changes to my eating habits. I’ve tried to cut out sugar and white flour as much as possible. This is a surprisingly easy way to improve what I eat. Instead of counting calories or any of that stuff I just don’t eat or drink things that have sugar. In the past month I have had sugar twice.
Additionally, for breakfast, I make this shake (thank God for our Vitamix):
- 1 medium cucumber
- 2 cored apples
- 2 big handfuls of spinach
- 3 ribs of celery
- 2-3 small carrots
- 1 teaspoon ginger root, peeled
- Juice of 1 lime
- Juice of 1/2 lemon
The lime and ginger dominate. And cucumbers, apples, and carrots are naturally sweet when juiced. So it’s surprisingly refreshing and sweet. It’s a bit thick, but that’s okay.
It makes about 32 ounces. Which is enough for 2 or 3 people.
And for lunch, after my workout, I have this: * 3/4 C non-fat milk * 1/4 C non-fat greek yogurt * 1/4 C natural peanut butter * 1 big banana * Two big leaves of kale, or a big handful of spinach * Giant handful of blueberries * half scoop of protein powder if you have it (hopefully strawberry flavored) * ice to taste (5-6 cubes perhaps)
This protein smoothie is sweet and delicious. It’s full of dairy, protein, and fiber. It’s low in calories. And since the peanut butter, banana, and blueberries dominate the flavor, it tastes like a milkshake.
Back in 2011 I converted my IKEA Galant into a standing desk. It lasted about 6 months before I went back to sitting. I felt better when standing, I worked better, and it was great to come downstairs after a day standing at the desk and to sit down to relax for the evening.
But standing while writing never felt right to me. I preferred the more “contemplative” posture of sitting.
Six weeks ago I once again converted my IKEA desk back to the standing desk. This time it has been different. Perhaps writing full-time for the past three and a half years has removed my sentiment that sitting while writing is best. Because I’ve been getting great work done while standing here. (I’m standing right now!)
But my IKEA retrofit wasn’t ideal. Primarily it was about 1 inch too short. I’ve been at this desk for nearly 4 years now, it was time to invest in something better. So I got one of those electronic adjusting desks at the recommendation of my friend, Ben Brooks.
The adjustable-height desk I got is this Jarvis desk. It is sturdy, fast, quiet, and amazing. I wish I had bought it years ago.
You can get just the legs and put your own desk top on, which is much cheaper. While it’s pricey compared to a cardboard box for hoisting your keyboard up on your current desk, the Jarvis is quite affordable when compared to many other options out there.
When I ordered mine it was shipping free on Amazon Prime. Currently it’s not available on Amazon.
I got it about a month ago and had it set up in an evening. I’m glad I got the electric version and not a hand-crank version. If anything, having the precision of getting the desk to exactly the right heigh for standing and sitting each time is huge. I can tell if it’s not quite right and that precision is worth it.
(And while you’re at it, be sure to get an anti-fatigue mat.)
I’m at my desk probably 6-8 hours per day. I stand for 4-5 of those. For the times I am sitting, I need a chair that will help encourage circulation in my legs and better posture. In fact, it was the poor circulation in my legs that brought this whole thing to a boil in the first place. At the end of the day, my legs would be sore because they weren’t getting enough activity and circulation.
I haven’t yet gone to a fancy chair dealership to sit in the different ergonomic chairs, but it’s on my list.
From the age of 7 to 18 I practiced martial arts, and was extremely active in my later teen years. I was at the Do Jang 5 nights a week, my friends and I competed in the Colorado Karate Association, and I taught regular classes at the studio.
All those years kicking and punching took a toll on my joints. When I was 18 I found out I had rotator cuff tendinitis in both my shoulders. This is something that has severely limited my ability to do too much physical activity that involves my arms.
Finally, I asked a friend of mine who is a personal trainer if he would help me get a weights routine that would accommodate my shoulder pain. I’m not trying to buff up, just want to be fit. Also, having the set workout plan that he drew up is so helpful. I know what to do when I go to the gym, and that in and of itself was a huge obstacle to overcome.
Also I started running. I run on the elliptical machine because it’s significantly easier on my knees (which are also bad thanks to martial arts). At first, I assumed the elliptical machine was for wimps and so I avoided it. But boy was I wrong. Every time I’m at the gym it’s always the huge football dudes who are on the elliptical machine.
Thoughts on going to the gym instead of going outside
This past month is the first time I’ve ever gone to the gym to work out. Growing up in Colorado all my activity was outside. But for the past month, going to the gym has proven to be great.
For one, it’s an excuse to get out of the house every day. The 10 minute drive serves as a transition time to let my mind get pumped up for my workout. If I’m not in the mood to work out, I tell myself that at least all I have to do is show up and I don’t have to go running once I’m there.
But once I’m there and I’m around others who are working out, I feel ready to exercise. That community aspect is a great motivating factor to do my workout.
And, to top it all off, the gym offers a discount to businesses. As a self-employed LLC, I brought in a copy of my business license and get a deal on the monthly rate. Which also means that my gym membership is a tax-deductible expense.
Using the iPhone at the Gym
Apps: Having a plan for what to do is huge. I started using this Couch to 5K app, and I love it. I’m also slowly building a good workout playlist in Rdio.
iPhone arm band: I got this Belkin sport armband because it’s the only option they had at Target. It’s fine I guess, but I bet there are better options out there. The plastic cover over top of the iPhone isn’t snug against the face, and so it takes a bit of focus to tap on buttons. Which, when you’re running and this thing is strapped to your arm, it’s not exactly easy.
However, when running on the elliptical machine I don’t use the band because I can just set my iPhone in the cup holder. Of course, then I don’t get all those step counts in Pedometer++. Ah well.
Earbuds: Finding good earbuds was a must. Over the past month I tried my go-to RHA buds, the Apple buds, and some Sony buds. The Wirecutter recommends the Relays, but I wanted wireless because three weeks with wired earbuds and I was going nuts every single run.
These JayBird BlueBuds X were the Wirecutter’s 2nd recommended (and didn’t take top place because of their price). They’re not cheap ($150). But when I asked about them on Twitter, I received a significant number of replies from people who use them and love them. Nothing but positive reviews. So I picked up a pair and am very happy I did.
It took me 3 days to get the fit figured out, but it was worth it. Though I wouldn’t say they’re perfect (still can start to slip out of my ears towards the end of my run) they are significantly more comfortable, more permanent, and better sounding than all the other options I’d used before. Just gotta remember to keep them charged up. Also, get these Comply Foam Tips to go with the BludeBuds X — they are much better than the rubber tips that come with the JayBirds.
One component to building an audience, growing a customer base, and/or increasing word-of-mouth referrals is by sweating the details. Put delight in your work.
It’s the little things, the moments of delight and the unexpected quality in a product, that prove to our audience and our customers that we care.
When we sweat the details it shows. It’s proof we take our work seriously. And that builds trust with our audience our customers.
In the super-cool hand-drawn chart above, you can see that I’ve dissected what I believe to be the primary components related to building an audience. Seventy-five-percent of the work around building of your audience should be spent on the art itself — the content.
Your brand is also important. I’m not talking about logo marks here, I’m talking about your reputation. How do people perceive you (as professional or amateur; friendly or angsty; humble or self-centered; etc.)? What topic or subject people do people connect to you (design, development, typography, photography, etc.)?
Your content and your brand are summed up as being what you make and who you are. This is true for the individual, the small business, and the large corporation. And over time the two become deeply intertwined. What you make represents who you are, and who you are fuels what you make. Your brand and your content become one and the same.
If you are willing to sweat the details when it comes to all the things you make and all the expressions of your brand, then the overall result will be greater than the sum of its parts.
People notice when we take the time to build something great. They may not always be able to put their finger on exactly what it is, but they know they appreciate it. And they repay us with their accolades, attention, and money.
Thus leading to a healthy and mutually beneficial relationship between the maker and their customers.
The maker is happy because she is building something she’s proud of and is has the financial supported to sustain her work. And the customer is happy because she is buying something that was crafted with mindfulness and quality.
Committing to sweat the details is a commitment to the long game. It means not giving in to the tyranny of the urgent. It means focusing on quality from the start, and being willing to spend the extra time and resources to do it right and do it well.
In the moment, sweating the details often burns. But a month from now, a year from now, a decade from now, you and your customers will still be reaping the benefits.
* * *
P.S. This concept of building your audience and customer base through delight is from one of the new chapters in the update to Delight is in the Details that comes out this wednesday.
This coming Wednesday, July 23, 2014, is the launch date for the update to my book and interview series, Delight is in the Details.
I’ve been working on this update for the last couple of months, and the end is finally in sight. And so I wanted to share with you guys a sneak peek at what exactly is going to be included in the update.
Two new chapters: “How to Stay Creative and Build Delightful Products” — this is the preeminent chapter of the entire book. It’s the chapter that should have been in there when I first wrote the book, but I guess I needed another year to muse on this topic in order to discover the contents and focus of this chapter. This chapter is my best answer to the almost impossible questions: How do you do your best creative work every day? How do you make delightful products? I’ve also written a chapter on “Finding Your Fanatics”, that talks about how sweating the details in your work is one of the ways to grow your audience and/or customer base.
Three videos: These are short videos I made for this project. They cover (a) How To Stay Creative, (b) The Power of a Focused Life, and (c) In-House Design Teams. You can check out a teaser trailer for one of them here.
The audio tracks have all been re-mastered (this includes audio book and the audio interviews). I learned some Garage Band tricks since first producing the audio book, and I’ve found a website — Auphonic — hat does magic with the equalizing and volume boosting and leveling of spoken word audio tracks. I began using this on the Shawn Today podcasts a few months ago and the increased quality of the audio was instantly noticeable.
There are now transcripts of all the audio interviews. Perfect for those who prefer to read not listen. It also creates a searchable archive of the conversations if you ever want or need to reference them.
A new section: The Makers Q&A interviews featuring Tim Van Damme, Jeff Sheldon, Jane Portman, Sean McCabe, Kyle Steed, and more. Because great products are forged in the details, I reached out to a handful of my personal design heroes to ask them what it means to sweat the details, what delight in design looks like for their work, and how they spend their day to do their best creative work.
Updated book content with examples from the latest versions of iOS and OS X.
The Resource Index: a list of recommended websites, books, forums, and other resources that will help you find fresh inspiration, advance your current skill set, and/or get plugged into a community of peers.
* * *
This all started with little more than my intention fix a few typos, re-master the audio, and get the interview transcribed. It has instead turned into a massive update, and I’m extremely excited about it. This “2.0” version of Delight is in the Details is what the 1.0 should have been.
With the updated content, this book and interview series feels much more complete now. It was predominately about making a case for sweating the details. But it now also gives you an understanding of what that actually looks like when done well, and, most importantly lays before you a roadmap for how you can change the mindset and habits of your own personal work life and even your company’s culture.
The new version comes out this Wednesday, July 23. I’m raising the price to $39, but on launch day it will be on sale for 25-percent off. Everyone who has already bought Delight is in the Details will get the update for free.
A few months ago, on one of the more nerdy episodes of Shawn Today episodes, I was discussing local backup solutions, my need for a better backup hard drive, and some of the research I was doing on Network Attached Storage drives (NAS) since that’s the direction I was leaning.
All the data in my house consists of:
- Files I’m using right now
- Files my wife is using right now
- Files we want to keep, but don’t use often (if ever)
- Media (photos, music, movies)
- Backups of all of the above
The files we’re using now live on our computers, obviously. The rest should be kept on another drive. I, however, had the rest kept on 5 different drives. Ugh. There were two old USB drives with different folders of archived data; two USB drives that I used for my nightly super duper clones; and a Time Capsule that was used for our Time Machine backups, except it bit the dust about a year ago, I hadn’t set anything up to replace it until recently.
I wanted to consolidate all of that stuff into one backup and storage kit that had more functionality beyond being just an external drive and could be expanded if I needed it to. Plus, I wanted to have redundancy with all this stuff — to know that all my old files and all our media and everything else wasn’t just being stored, but was also being backed up here at home and to an off-site service.
And so, now you know why I was leaning towards a NAS, and not just a bigger USB drive.
Well, at first I was thinking of getting a refurbished Mac mini and a basic thunderbolt RAID to attach to it. I knew I’d be able to use it as a media server, a backup destination, and that I’d be able to log in remotely from my iOS devices or my Mac. And, I knew that I could put backup software on the Mac that would do local clones of the RAID and offsite backups of it as well. But I wasn’t ready to spend $1,500 for that setup.
After doing more research it was clear that what I wanted was the Synology DS213j. It would be capable of handling everything I wanted from a Mac mini + RAID setup, but it was much more affordable ($200 plus the price of two drives ($125/ea.).
The Synology DS213j has a gigabit ethernet port and two USB ports. I have it plugged directly into my Google Fiber modem. Which means not only does the Synology have it’s own Gigabit connection to the World Wide Web, I have a gigabit connection to the Synology from within my home. But that’s just the start.
It’s that operating system that separates a Synology from your basic NAS or RAID. With DSM 5 (the software that runs on the Synology), you can install apps and services onto that let you do some pretty clever things with all the files you’re storing on there. And that’s a big part of what makes a Synology more than just a fancy external hard drive. It’s literally a file server. And, it get’s better: there is a whole suite of iOS apps as well. But more on that in a bit.
Setting up the Synology
A site member who was listening to my aforementioned Shawn Today episode had recently purchased a Synology DiskStation but was no longer using it. He emailed me and offered to send it at no charge. I, of course, gratefully accepted his generous gift.
That was 3 months ago. I’ve since been using the Synology quite a bit and it’s time I shared some of the cool things it can do and give a look at how I am using it in real life.
For starters, I put 2 of the 3 TB Western Digital Red drives in there. Between all our media and all our archived files, we only have about 700GB of unique data to store. And so a 3TB disc is plenty and the WD Reds are one of the drives that BackBlaze recommends.
Here’s a quick rundown of how I’m using my Synology:
Consolidated 2 old USB hard drives I had that were storing random, archived files (like design projects I did back in 2006).
Created a Time Machine partition for me and one for my wife’s MacBook Air.
Created a partition for cloning my MacBook Air with a browsable folder structure.
Offloaded my entire music library and photo library, freeing up some much needed disk space on my MacBook Air. If I want to listen to music in iTunes I can see the Synology as a shared library. Also, I simply moved the photos in my Lightroom library to the Synology’s Data drive, and I can see all the images from past years right there within Lightroom still.
But that is all pretty standard stuff for a NAS or RAID. Here’s what I’m utilizing from the department of Things the Synology Does That Are Cool:
Synology’s automatic backups of itself
For local backup: I plugged in a Lacie USB drive to the back of the Synology and set it up to do nightly local backups of the Synology itself. This is fantastic. As any nerd will tell you, a RAID is not a backup — even though you’ve got 2 or more drives in the enclosure (helping ensure that if one of the drives dies, you don’t lose your data), if the enclosure itself were to suffer catastrophic failure (power surge, bug, freak accident of nature, whatever) then it’s possible that all the drives in the RAID could lose their data. So, really, you want to have a local backup of your RAID.
For off-site backup: I set up an automatic off-site backup to Google Drive. It can also back up to Amazon Glacier, Dropbox, and other services, but I went with Google Drive because I have 1TB of free space thanks to Google Fiber. My Synology only backs up the files that are specific to it, (meaning it doesn’t send the Time Machine partitions there).
Synology on iOS
Synology also makes a whole suite of 8 different iOS apps that are for basic things like accessing the files and media on your DiskStation to nerdy things like monitoring your DiskStation or viewing your network security cameras.
(From left to right: DS file, DS photo+, and DS audio. The apps are universal and work on iPad, too.)
DS file: this gives you complete access to the entire file structure of your Synology. You can log in over the local network, or, if you have QuickConnect set up, you can access your Synology from anywhere in the world.
DS audio lets you stream (and download) all the audio files on your Synology. And, unlike the photo package, when you set up the Audio package, it auto-detects the MP3s on the Synology and is ready to go immediately.
DS photo+ lets you browse all the images on your Synology, as well as enable instant upload from your iPhone and iPad’s camera rolls. It’s basically your own Photo Stream replacement service, except that it’s not super easy to automatically upload photos in-to (that I know of).
Another small gripe I have with the photo app is that, for whatever reason, after installing the Photo bundle on the Synology itself, you then have to manually import or move your photos out of the file structure of the Synology and into the Photo app (which exists as its own partition on the Synology). Once added to the Photos partition, the Synology has to convert those images (which I’m not even sure what it’s doing to confer them, and it takes a very long time). It’d be nice if it would just let me tell it where all my photos are and then it automagically does the rest.
However, since the photos and photo albums exist simply as a hierarchy of folders, you can add photos through the Finder directly via the mounted Synology. I haven’t gotten this far yet, but I see some great options for automating the photo importing and structuring process using some Hazel rules. I should be able to automatically get my iOS photo stream images in there as well. We’ll see.
To get the iOS apps to work, you also need to install the corresponding packages (a.k.a. apps) onto the Synology itself. With the photo viewer, for example, it’s a separate web app that houses all the photos from your Synology. You start by manually uploading photos to the album and then once they are there, you can browse them from your Mac, the Web, or iOS devices. And anyone with the login info to that photo album can view the photos (so good news for families).
Read / Write Speeds
For the first two months I was connecting to the Synology over my 2.4Ghz Wi-Fi (because I’m an idiot), and the connection was pathetic at best: 2-3 MB/s read and write.
A few weeks ago I dropped a Gigabit port by my desk and ran CAT 6 from my router (which is in a different area of the house) to the port. I then got a Thunderbolt Ethernet port (that came with this awesome Belkin Thunderbolt Dock) for my MacBook Air so I could take full advantage of Google Fiber’s gigabit internet.
The advantage of the Gigabit drop is that I’m now also getting significantly better read/write speeds to the Synology (obviously). I can now read/write to the DiskStation at 85 MB/s and 45 MB/s respectively. Which is pretty great.
If I’m on my 5Ghz Wi-Fi connection I can read/write at 24 MB/s and 15MB/s respectively.
Since the Synology is attached directly to my modem, it has its own connection to the Internet. But all NAS drives connect direct to the modem (usually). The Synology is cool because, since it has its own operating system, it doesn’t require a dedicated Mac in order for the files to be accessible from my home or from anywhere else in the world. While it’s not quite as powerful as a Headless Mac mini plus NAS setup would be, it is about $1,000 less expensive. And if you’re just wanting to dip your toe in the water with this stuff, from where I’m sitting, a Synology DiskStation is a great place to start.
So, in short, I’ve got a gigabit connected local hard drive that is smart enough to back itself automatically. And it also serves as my own personal media center, photo backup solution, and it just so happens to have a suite of iOS apps so I can access all the files and media from any of my computers or devices from anywhere in the world.
If you work for yourself, you don’t have the luxury of being passive when it comes to things like community, finances, and work/life boundaries. These things are not taken care of for you by someone else. You have to take intentional steps and do your due diligence to make sure you are on the path towards “health” in these areas. Speaking of health, if you work at a desk, sitting and stationary all day, that, too, is just not healthy.
I’ve been working from home for myself for 3.5 years, and this past month I’ve been thinking about all the important aspects related to having a “healthy lifestyle” in the context of being self-employed and working at a computer all day every day.
If you just coast through your days, the natural trajectory will be downward, not upward. There is nobody to tell you when to take a break and when to call it a day. There is nobody to bounce ideas off of or to chat with at the water cooler. And if you work from home and work for yourself, there is no company retirement plan already set up for you, and your taxes are not automatically withheld.
And so, for those of us who work from home (and especially those of us who also work for ourselves) there is an huge need to take proactive measures to ensure the long term health of our body, our finances, relationships, creativity, and more.
Below I want to share with you the things I do to try and keep myself healthy. In 20 years from now I hope to be doing even better creative work than I am today. But that means in the mean time I need to stay physically healthy, creatively energized, all while continuing to run a profitable business. The good news is: it’s totally doable.
Before I quit my day job to write for this website full-time, I was already making some money on the side. In 2010 (the year before I started writing here as my full-time gig) this site was earning about $1,000/month from ads, sponsorships, and Amazon links. All the money I made from the site was “extra” — we didn’t need it as part of our monthly living expenses, and so it’s what I used to pay for new gadgets and software and to cover hosting costs, etc. I didn’t spend anywhere near the $1,000/month of this semi-disposable income, and so we set aside the extra into a savings account.
In February 2011 I took the leap and began writing here as my full-time job. Thanks to the extreme generosity of this site’s subscribing members, I’ve been able continue writing here for over three years now.
But there’s more to the story than that. When shawnblanc.net became my job, it also meant the income from the site was now paying the mortgage instead of being semi-disposable income. And so the first thing I did was establish a budget for my business.
I cannot express enough just how absolutely critical it has been to have a budget — both for our company and for our personal household expenses.
Did you know that most of America’s millionaires are people who earn low-six-figure incomes? They have a high net worth (between $1 – $10 million) because they live simply and budget their money.
That is the same philosophy I’ve followed with my business (and personal) finances. I don’t have a business credit card; I’ve never taken a business loan. Everything I buy that’s business-related I have cash in the bank for. And as a result, my company has been profitable since day one.
My point here is that those of us who work for ourselves — freelancers, contractors, small-business owners, et al. — must learn to budget and manage our business finances. The long-term health of our business and our household income depends on it. And that also means our long-term ability to do our best creative work depends on it as well.
That said, here’s my practical approach to budgeting and finances:
Business Emergency Fund: Enough to cover 3 months of operating costs in case everything goes unexpectedly south one day. This also helps with cash flow. For example: when you have sponsors and advertisers who pay net 30 or 60, you don’t have to live on debt until those invoices come in. In short, the money I’m using today to run my business is money that was earned 3 months ago.
Personal Emergency Fund: Enough to cover 6-12 months of household living expenses (food, mortgage, utilities, insurance, etc) in case all the income from my websites were to dry up overnight.
Cash envelopes for personal expenses: This is old-school, but it really works. My wife and I have been doing a cash envelope system for several years and it has been so great for our finances. Yes, there are apps which can manage our personal budget for us and can even track “digital envelopes”, but we like the physicality of actually using cash. There is more of a connection to how much you are actually spending. And we have found that we spend far less and actually accomplish far more than when we just had a general fund for all our variable expenses and simply made sure not to overspend.
Giving: My business gives 11% of its annual gross income to charity. Giving to others is very important to Anna and I, and over our years of marriage we’ve found that we give away less if we wait until there is an obvious need presented to us. So we are very proactive in making sure we are giving away at least a certain percentage of all our income.
Taxes: Get a good CPA who you can talk to any time you have questions or problems with your taxes. It should be someone who you trust. Let them tell you how much to set aside for your taxes, and then do what they say.
Investing: After charity and taxes, we take 15% of the company’s net earnings and invest it. Most of this is earmarked for retirement, but some of it I keep for investing in new ideas, etc. For example: I hired a professional designer and developer to help me build The Sweet Setup. I treated that as an investment in a new business, and now that The Sweet Setup is up and running, I am paying my investment back.
All this financial stuff isn’t anything new. In fact, that’s what makes it so sound — it’s old, tried and true advice. Basically, get/stay out of debt, live beneath your means, save for a rainy day, invest for the future, and be generous to those in need.
Recommended books about money
Mental / Spiritual / Emotional Health
This is actually more about staying creative than staying sane. Because, let’s be honest. To be a self-employed creative person, you kinda need a little bit of insanity.
Anyway, I think there are two important things when it comes to keeping our creative juices flowing and our minds sharp. We need problems that are exciting and engaging. And we need to keep learning and experimenting.
Recently I wrote an article about the fight to stay creative. There are things such as isolation, ambiguity, fear, anxiety, shame, doubt, comparison, and disillusionment that can hinder and stifle our creativity. And there are things such as community, clear goals, trust, experience, rest, and diligence that can help stimulate and encourage our creativity.
In short, it basically boils down to having fun and serving others (which looks different for everyone). And that’s why it’s important to recognize if and when you’re feeling angsty, depressed, dried up, and/or burnt out. And if so, talk to someone about it, get help, and give yourself permission to make changes that will bring fun and life back in to your work.
I love working at a desk all day. I’m a computer nerd, I love typing and reading, and this space is my little cockpit of creativity. But they say sitting for hours a day will kill you. Literally.
The default seems to be getting an “Executive Chair” from Office Max for $79, then having a bad sitting posture with hours of not moving. Followed up by spending the evening watching TV from the couch while eating chips and drinking beer. Sounds glorious and affordable. But I know what my mind and body will be like in 15 years from now if that’s the lifestyle routine I fall in to. And it’s just not worth it.
Hopefully, my best creative work is still ahead of me. And so I intend to be physically healthy and alert for the journey. What this looks like for me is four-fold: a standing desk, regular breaks to move around, regular exercise, and a healthy(-ish) diet. I say healthy-ish because I still like ice cream fried foods, but not every day.
When I first started working from home, I set up a standing desk. I stood for 6 months before I went back to sitting. It’s silly, but since I spend a lot of time doing creative writing all day, I never felt in the “creative mood” while standing. But now, three years later, I am seeing the negative effect of all the sitting I do. My metabolism has slowed down and my legs are often sore. So a few weeks ago I once again set up my standing desk. And, to have the best of both worlds, I went with this Jarvis Electronic Moving Desk Legs.
Though standing is better than sitting, you’re still relatively stationary. It’s important to move around regularly. You could get a treadmill to go under your desk, and maybe one day I’ll do that. But what I’ve been using for years is this BreakTime Mac app. When you begin working at your computer it starts timing. And then at an interval you determine (anywhere between 1 – 60 minutes) it will beep and remind you to get up and walk around for 3 minutes.
One of these alone is not enough. You really should consider standing. If you sit for more than a couple hours, get an ergonomic chair that encourages blood circulation and good posture. Move around every 30 – 45 minutes. Exercise. Eat well.
Work / Life Boundaries
One of the primary motivations behind me quitting my day job to work from home was that my wife and I wanted to have kids. And I wanted to be a very active and engaged dad. Having a thriving relationship with my two boys, my wife, and my friends and family is so important to me. And a lot of that just boils down to time. Put the phone away, Shawn. Turn off the computer, shut the office door, and go play trains with your boys.
I don’t think it’s about balance: equal parts work and non-work. But about boundaries. Giving each area the focus and attention it deserves.
What this looks like for me is that I have a daily schedule. The first half of my work day (7:30 am – 11:30 am) is spent working on the most important tasks of the day. This is when I do most of my writing and podcasting. Then I have lunch with my family, and work on less-important admin tasks in the afternoon. I also have a dedicated work space downstairs that is where I go to work.
Also: Thriving Professional Relationships
A life of long-term creativity doesn’t tend to happen in isolation — we need one another for input, advice, encouragement, ideas, and more. Which is why, hands down, one of the most challenging aspects that I have faced in my life of working from home has been the lack of face-to-face community.
Things still are not ideal — I would love to have a small team of comrades and co-workers that I meet for work every day, and hopefully one day things will reach that point — but I have some ways of staying connected and staying in community.
I’m in a few Group Me groups with some fellow nerds and we chat about life and stuff during the day; I talk with several friends over AIM / iMessage during the day; I go to a coworking space (though not as often as I used to); I get out and work from a coffee shop usually at least once or twice per week; I have lunch each week with a few friends; I go to local design/tech/small-business-owner meetups whenever possible; I go to design/tech conferences at least once or twice per year.
Also: Weekend Hobbies
Work with your head? Try resting with your hands. For one, I try to spend Saturday away from my computer. It’s our family day, and so we run errands, go to the park, hang out together, etc. Also, woodworking is my favorite hobby. One of my favorite ways to unwind from all the pixels is to build something with lumber and power tools.
The hard part now is to actually do something about this. If you’re like me, it’s pretty easy to look at an area of my life and instantly recognize that it could be better.
What I’ve found is that each of these areas serves as doorway to the others. Meaning, once you tackle one area — say, budgeting, for instance — then that gives you the momentum to tackle another area, such as having and keeping a schedule. So my advice is to pick just one thing you’d like to focus on and spend a month just slowly working on it, giving yourself lots of leeway and grace as you figure things out.
I for one hope to still be doing awesome creative work 20 years from now. There are a lot of approaches and a lot of answers to the above problems. It’s all seems to be such a moving vehicle, and you figure things out as you go. Which is why what’s most important is to simply start and take action.
Two years ago, Google started bringing fiber to Kansas City. And it took them until today to make their way to my house.
In the 2 years between their original announcement and when service became available in my neighborhood, I thought quite a bit about if I was willing to let Google be my Internet Service Provider.
The biggest question I had to ask myself: will Google be using my online activity to sell me ads? The answer is: certainly.
So then I had to ask myself if I was okay with that. And the answer is: yes I am.
Google is already trying to sell me ads. They have been ever since I signed up for the Gmail beta back in 2006 or whenever.
Obviously, now that they’re my ISP, they will be able to garner more information about my house. Basically they now have visibility into anything we do online that’s not an encrypted transaction, such as the movies we stream from Netflix, the products we browse on Amazon, what songs we stream over Rdio, every website we visit, and who knows what else. It sounds creepy when you put it like that, but it’s also no different than any other ISP relationship I’ve had (AOL, Time Warner, Verizon, AT&T). It’s just that none of the others were in to Big Data as much as Google is.
And it’s not dangerous. All our most sensitive information is still safe because it’s transferred over encrypted connections (emails, passwords, iMessages, SSL encrypted sites like my bank, et al.).
All that to say, I am comfortable with Google as my ISP. Because in exchange, I now have internet speeds that are 20 times faster than the fastest I could pay TWC to provide. And it’s for the same price of $70/month.
In many ways, the faster speeds won’t have a huge impact on my day-to-day life. Just because I have 20x faster internet doesn’t mean I will get 20x more work done. My Rdio songs won’t sound any better, my emails won’t send or receive all that noticeably quicker, etc.
But Netflix will stream in higher quality. My daily podcast now uploads in one second (literally). Safari will connect to websites and servers quicker thanks to the fantastic ping rate with Google Fiber, and media-rich sites will load sooner. Big file downloads will be noticeably faster. And who knows what else.
Moreover, it seems worth mentioning that the entire signup and installation process for Google Fiber was incredible. Believe it or not, Google was extremely organized, friendly, clear, and efficient. All of the automated systems they had in place for contacting me when Fiber became available, and for helping me schedule the installation were clear and easy. The technicians who came to my house to run the lines and set up the network box were very friendly. And the one time I had to call customer service to re-schedule an appointment, the lady I spoke to on the phone knew exactly what she was talking about. So far, I’ve been impressed with the whole process and service.